I'm Not Running Anymore

John Mellencamp · Words & Music [2004]

Holly told me, "You better give me a child"

I said, "Holly, there's no way

We don't even like each other all that much

We couldn't make it one more day"

She said, "You better look out, buster

The next time you see me you're gonna pay"

I said, "Holly, I'm not running anymore

But I'm on my way"



I'm on my way

I'm on my way

I'm on my way

But I'm not running anymore



Well I got two circus clowns here who like to fight

They got one black eye and a bloody nose

They are the hoodlums of my third wife

Whatever I say they will oppose

I try to teach those clowns something

Like how to make it day to day

I say, "Hey, you kids, I'm not running anymore

But I'm on my way"



I'm on my way

I'm on my way

I'm on my way

And I'm not running anymore



Well I look in the mirror - what the hell happened to me?

Whatever I had has gone away

I'm not the young kid that I used to be

So I push the hair back out of my face

That's O.K., I knew this would happen

But I was hopin' not today

Hey Baby, I'm not running anymore

But I'm on my way



I'm on my way

I'm on my way

I'm on my way

And I'm not running anymore



I'm on my way

I'm on my way

I'm on my way

And I'm not running anymore



For sure!

I'm Not Running Anymore

John Mellencamp's 'I'm Not Running Anymore' stands as a defining track from his 2004 album 'Words & Music,' showcasing his enduring ability to blend folk-rock with contemporary sensibilities. Released during a period where he frequently revisited his catalog while infusing it with new energy, the song reflects his signature focus on working-class life and personal resilience. The recording captures the raw, acoustic-driven texture characteristic of his later career, maintaining the narrative storytelling that has anchored his discography since the 1970s. As a staple of his live performances and a testament to his commitment to authentic songwriting, the track remains a poignant example of his evolution as an artist who consistently grounds his music in relatable human experiences.