Get Busy [remix]
Sean Paul · Other Songs - Sean Paul
Shake dat thing Miss Kana Kana
Shake dat thing Miss Kana Kana
Shake dat thing Miss Kana Kana
Shake dat thing Miss
Woman Get busy, Just shake that booty non-stop
When the beat drop, just keep swinging it
Get jiggy, get crunked up
Percolate anything you want to call it
Oscillate you hip and don't take pity
Me want fi see you get live 'pon the riddim when me ride
And me lyrics a provide electricity
Gal nobody can't tell you nuttin'
Caw you done know your destiny
[Fatman Scoop]
Remix...
Clap your hands now
Clap your hands now
Clap your hands now
Clap your hands now
Touch your ear
Touch your nose
Touch your thigh
Reach for the sky
Touch your ear
Touch your nose
Touch your thigh
Reach for the sky
Ey yo (Ey yo)
Iight (Iight)
Wussup (Wussup)
Wussup (Wussup)
Ey yo (Ey yo)
Iight (Iight)
Wussup (Wussup)
Wussup (Wussup)
[Sean Paul]
Yo, Sexy ladies want par with us
In a the car with us, them nah war with us
In a the club them want flex with us
To get next to us, them cah vex with us
From the day me born jah ignite me flame gal a call me name and its me fame
Its all good girl turn me on
'Til a early morn'
Let's get it on
Let's get it on 'til a early morn'
Girl it's all good just turn me on
Woman don't sweat it, don't get agitate just gwaan rotate
Can anything you want you know you must get it
From you name a mention
Don't ease the tension just run the program gals wan pet it
Just have a good time
Gal free up on ya mind caw nobody can dis you man won't let it can
You a the number one gal
Wave you hand
Make them see you wedding band
[Fatman Scoop]
Get up, from that ass, girl
Get up, from that ass
Get up, from that ass, girl
Get up, from that ass
Log on now
Log on now
Log on now
Log on now, Stop
Online now
Online now
Online now
Online now, Stop
Pour the river now
Pour the river now
Pour the river now
Pour the river now, Stop
Heel-and-toe now
Heel-and-toe now
Heel-and-toe now
Heel-and-toe now, Stop
[Sean Paul]
Shake that thing
Miss Kanna Kanna shake that thing
Shake that thing Miss Annabella
Shake that thing yal Donna Donna
Woman Get busy, Just shake that booty non-stop
When the beat drop, just keep swinging it
Get jiggy, get crunked up
Percolate anything you want to call it
Oscillate you hip and don't take pity
Me want fi see you get live 'pon the riddim when me ride
And me lyrics a provide electricity
Gal nobody can't tell you nuttin'
Caw you done know your destiny
[Fatman Scoop]
Yo, yo, yo, yo, hold up, hold up
Yo Sean man, they know we came here to party
Brooklyn Clan, let's go
[Sean Paul]
Yo, Sexy ladies want par with us
In a the car with us, them nah war with us
In a the club them want flex with us
To get next to us, them cah vex with us
From the day me born jah ignite me flame gal a call me name and its me fame
Its all good girl turn me on
'Til a early morn'
Let's get it on
Let's get it on 'til a early morn'
Girl it's all good just turn me on
Let's get it on 'til a early morn'
Girl it's all good just turn me on
Let's get it on 'til a early morn'
Girl it's all good just turn me on
Let's get it on 'til a early morn'
Girl it's all good just
[Fatman Scoop]
If your ass is fat, bend over
If your stomache is flat, bend over
If you got a cute face, bend over
No stretch marks on your waist, bend over
Where the big girls at
Where the big girls at
Where the big girls at
Where they at
Where they at
Where the big girls at
Where the big girls at
Where the big girls at
Where they at
Where they at
If you got a lot of weight, bend over
But its in the right place, bend over
You got a nice size butt, bend over
Size 13 and up, bend over
Get Busy [remix]
Sean Paul's 'Get Busy [remix]' stands as a vibrant testament to his mastery of dancehall and reggae fusion. Released on the compilation 'Other Songs - Sean Paul,' this track exemplifies his signature blend of rhythmic complexity and infectious energy. Featuring Fatman Scoop, the collaboration amplifies the song's driving basslines and melodic hooks, characteristic of Paul's work during the peak of his international popularity in the early 2000s. The recording captures the essence of the genre, utilizing syncopated rhythms and vocal delivery that defined the era of digital dancehall. It remains a staple in his discography, showcasing his ability to craft tracks that resonate deeply with audiences while maintaining the authentic sound of Caribbean music. The remix version further enhances the original's appeal, offering a polished production that highlights the interplay between the artists and solidifies its place in the catalog of influential dancehall recordings.