The Man From The Planet Marzipan

Marillion · Other Songs - Marillion

I am the man from the planet Marzipan

Good to see you

My eyes are screwed up tight, unaccustomed to the light

And all my arms and all my legs are much too long

Much too long



My head is in a state, unaccustomed to the weight

I wear this mild expression, I'm an alien to aggression

Music only does me in my skins so thin



There's so much that I can't take in

There's so much that I can't take in

There's so much that I daren't take in



Can you feel through my skin to me?

Can you feel through my skin to me?



Throw a tarpaulin over me

I look like a rotary washing line

I am the face of 2069

I have trouble with my breathing

My net-curtain lungs

And the thoughtlessness of other people's careless tongues



The air's so thin

Oh my skin

The air's so thin

Oh my skin



I am the man from the planet Marzipan



My eyes are screwed up tight, unaccustomed to the light

I wear this mild expression, I'm an alien to aggression



The air's so thin

Oh my skin

Oh my skin.



I'm so close.

I'm so close to a breakdown

A constant crisis in the heart



What the hell is going on here?

Earth creatures. Amazing, beautiful and mad.

Monkeys trying to be stars

Monkeys carrying their Gods around

Lies and murder in the name of heaven

Seen it all before in the kindergartens of the Universe

It would be quaint if it wasn't so damned scary



I can't listen and I can't watch

I can see inside the machine

I can see the join! I can see the join.



Can you feel through my skin to me?

Can you see through my skin?

It's all here in my skin, you see

It's all here in my skin,

Here in my skin!



If you really look

It's a nursery book.

The Man From The Planet Marzipan

Marillion's 'The Man From The Planet Marzipan' stands as a quintessential example of progressive rock, blending intricate guitar work with the band's signature melodic sensibility. Recorded during the late 1980s, the track exemplifies the group's ability to weave complex time signatures with accessible hooks, a hallmark of their discography from the 'Fates and Furies' era. The song features the distinctive vocal style of John Wetton, who often layered harmonies to create a rich, atmospheric texture characteristic of the band's sound. While not a chart-topping single, the recording has become a staple in progressive rock compilations and bootlegs, celebrated by fans for its technical proficiency and emotional depth. It remains a defining piece of Marillion's catalog, showcasing their evolution from power metal influences to a more nuanced, symphonic approach that influenced countless peers in the genre.