Somewhere in the Vicinity of the Heart

Alison Krauss (And Union Station) · Other Songs - Alison Krauss (And Union Station)

Shenandoah & Alison Krauss



Thousand miles

Of lonesome highway

Drinking gallons of coffee in a little cafe

Brought me here, and it's so good to find there's someone who's got

The same story as mine



Just look at us, we're a couple hard cases

So how'd we end up where we are?

Somewhere in the vicinity of the heart

I feel somethin hittin me awful hard

I don't know where it's gonna lead

I just know it starts

Somewhere in the vicinity of the heart



(Alison)

Been so long

I can't believe I'd get somethin so sweet

Where an ache used to be, don't fall

If love anymore but I'd never met anyone like you before

Stay here with me for a couple more minutes

I think there's somethin goin' on



Somewhere in the vicinity of the heart

I feel somethin hittin me awful hard

Don't know where it's gonna lead

I just know it starts

Somewhere in the vicinity of the heart



(Shenandoah)

Well it sure took a while to find it

It's been waiting there all this time

(Both)

Somewhere in the vicinity of the heart

I feel somethin hittin me awful hard

(Alison)

Don't know where it's gonna lead

(Shenandoah)

Well I just know it starts

(Both)

Somewhere in the vicinity of the heart



Somewhere in the vicinity of the heart

Somewhere in the Vicinity of the Heart

Alison Krauss delivers a haunting performance on this track, showcasing her mastery of the bluegrass fiddle within the broader context of American roots music. Recorded with Union Station, the song reflects the collaborative spirit of the group while highlighting Krauss's ability to blend traditional techniques with atmospheric depth. The composition sits comfortably within the genre's landscape, emphasizing emotional resonance over technical display. As part of her extensive discography, the recording exemplifies the band's commitment to preserving and evolving the acoustic traditions of the Southern United States. The piece serves as a testament to Krauss's enduring influence on the fiddle and her capacity to evoke profound imagery through her instrument alone.