Three Times Seven
Hank Thompson · Hank Thompson & His Brazos Val [2003]
There ain't nobody this sign of heaven gonna get me on my knees
I'm a three times seven aby I'm gonna have my fun
Well I just won't tame I'm gonna be the same till I'm
three times twenty-one
I'm the big duck in a puddle don't you try to push me around
Cause I don't come in like no lion just to go out like a lamb
I'm three times seven baby that makes twenty-one
Well I love on sight and I fly by night I'm a no good son of a gun
[ guitar ]
I'm rough and ready baby and I really feel my oaths
Now I ain't scared of no livin' man or any gun he totes
I'm a triflin' troublemaker and I'm really full of fun
Wild and wooly full of please I'm a no good son of a gun
Way I make my livin' loafin' I never did work a day
Workin' to me just don't agree cause I ain't built that way
I'm a rootin' tootin' rounder gals and don't you think that I ain't
Well I might get around to paint the town but I never did like to paint
I'm three times seven baby I do as I doggone please
There ain't nobody this sign of heaven gonna get me on my knees
I'm a three times seven baby and I'm gonna have my fun
Well I just won't tame I'm gonna be the same till I'm
three times twenty-one
Three Times Seven
Hank Thompson stands as a defining figure in the Western swing genre, renowned for blending country storytelling with the energetic instrumentation of jazz and big band sounds. His extensive discography features numerous recordings that capture the lively spirit of Texas dance halls. Three Times Seven serves as a testament to his enduring influence within the tradition, showcasing the rhythmic drive and melodic warmth characteristic of his work with the Brazos Valley Boys. Throughout his career, Thompson delivered a consistent body of music that resonated with audiences seeking both nostalgic charm and upbeat entertainment. This track reflects the polished production and engaging performance style that secured his legacy as a master of the genre, contributing significantly to the rich tapestry of American roots music.

