Far, Far Away

Slade · The Very Best Of Slade [2005]

Far Far Away Noddy Holder & Dave Lea



I've seen the yellow lights go down the Mississippi

I've seen the bridges of the world and they are for real/

I've had a red light off-the-wrist without me even getting kissed

It still seems so unreal



I've seen the morning in the mountains of Alaska

I've seen the sunset in the East and in the West /

I've sang the glory that was Rome And passed the 'Hound Dog' singer's home

It still seems for the best



And I'm far, far a-way

With my head up in the clouds

And I'm far, far a-way

With my feet down in the crowds

Letting loose around the world

But the call of home is loud

Still as loud



I've seen the Paris lights from high upon Montmartre

And felt the silence hanging low in No Man's Land/ /

And though those Spanish nights were fine It wasn't only from the wine

It still seems all in hand



And I'm far, far away, &c...



I've seen the yellow lights go down the Mississippi

The Grand Bahama Island stories carry on

And though those aligator smiles Stay in your memory for a while

There still seems more to come



And I'm far, far away &c...

Far, Far Away

Slade's 1972 hit 'Far, Far Away' stands as a defining track of the glam rock era, blending the band's signature two-guitar attack with a driving rhythm section. The song exemplifies the group's ability to merge catchy pop melodies with a harder rock edge, characteristic of their mid-70s output. Released on 'The Very Best Of Slade [2005]', this recording captures the band's peak commercial success and enduring appeal. Its infectious energy and distinctive sound have cemented its place in the canon of classic rock anthems, influencing countless subsequent artists who adopted the theatrical style and musical aggression that Slade pioneered. The track remains a staple of their discography, celebrated for its timeless appeal and the seamless integration of lead vocals with the band's powerful instrumental arrangements.