Better Than A Hallelujah

Amy Grant · Somewhere Down The Road [2010]

God loves a lullaby

In a mother's tears in the dead of night

Better than a Hallelujah sometimes



God loves the drunkard's cry

The soldier's plea not to let him die

Better than a Hallelujah sometimes



We pour out our miseries

God just hears a melody

Beautiful, the mess we are

The honest cries of breaking hearts

Are better than a Hallelujah



The woman holding on for life

The dying man giving up the fight

Are better than a Hallelujah sometimes



The tears of shame for what's been done

The silence when the words won't come

Are better than a Hallelujah sometimes



We pour out our miseries

God just hears a melody

Beautiful, the mess we are

The honest cries of breaking hearts

Are better than a Hallelujah



Better than a church bell ringing

Better than a choir singing out, singing out



We pour out our miseries

God just hears a melody

Beautiful, the mess we are

The honest cries of breaking hearts

Are better than a Hallelujah



We pour out our miseries

God just hears a melody

Beautiful, the mess we are

The honest cries of breaking hearts

Are better than a Hallelujah



Better than a Hallelujah sometimes

Better than a Hallelujah

Better than a Hallelujah sometimes

Better Than A Hallelujah

Amy Grant's "Better Than A Hallelujah" stands as a defining track from her 2010 album Somewhere Down The Road, showcasing her enduring ability to blend traditional Christian themes with contemporary pop sensibilities. Released during a period where Grant continued to explore her faith through accessible, radio-friendly arrangements, the song reflects her signature style of weaving biblical narratives into melodic structures that resonate with a broad audience. As part of her extensive discography, this recording exemplifies her commitment to producing music that honors her spiritual roots while appealing to modern listeners. The track remains a testament to her career-long dedication to crafting uplifting recordings that bridge the gap between contemporary worship and mainstream pop, solidifying her status as a pivotal figure in modern Christian music.