Always Find The Time
Kylie Minogue · Rhythm of Love
[1a:]
You're the first thing in the morning
And the last thing at night
And I'll always hear you calling
You're always on my mind
[1b:]
I don't want no-one but you, ooh ooh
And I don't need a second string
I don't want a share of you, ooh, ooh
I wanna be your everything
[CHORUS:]
Sunrise - as long as you'll be mine
Midnight - that would be just fine
Rain or shine - it wouldn't change my mind
I-I-I-always find the time
[2:]
Look around me
I can always see your face
There's a feeling that's surrounding
It's in every move you make
All the other guys I see, ooh ohh
They don't get a second chance
Funny they don't interest me, ohh ohh
I don't give them a second glance
[CHORUS:]
[CHORUS:]
[1b:]
[CHORUS:]
You're the first thing in the morning
And the last thing at night
And I'll always hear you calling
You're always on my mind
[1b:]
I don't want no-one but you, ooh ooh
And I don't need a second string
I don't want a share of you, ooh, ooh
I wanna be your everything
[CHORUS:]
Sunrise - as long as you'll be mine
Midnight - that would be just fine
Rain or shine - it wouldn't change my mind
I-I-I-always find the time
[2:]
Look around me
I can always see your face
There's a feeling that's surrounding
It's in every move you make
All the other guys I see, ooh ohh
They don't get a second chance
Funny they don't interest me, ohh ohh
I don't give them a second glance
[CHORUS:]
[CHORUS:]
[1b:]
[CHORUS:]
Always Find The Time
Released on the 1997 album Rhythm of Love, "Always Find The Time" stands as a quintessential song in Kylie Minogue's pop catalog. The track exemplifies the polished production and dance-pop sensibilities that defined her work during the late 1990s, blending infectious rhythms with her signature vocal delivery. As part of the broader Rhythm of Love collection, the song contributed to her status as a leading figure in the genre, showcasing her ability to craft anthems that resonated globally. Its enduring appeal lies in its catchy melody and the seamless integration of electronic elements with traditional pop structures, cementing its place in her discography as a defining recording of the era.