Feels Good To Be Here

Shawty Lo · Units in the City [2008]

[Intro]

(I love you daddy~!)

Awww, I love you too

Hood nigga; yeah, I told you I would

I told you I would - hey!

Hey, ay



[Chorus: repeat 2X]

It feels good to be here [3X]

I musta done somethin right here, the kid right here



[Shawty Lo]

Ninety-three, my granny left me

So confused, my home is the streets

For although I chose to stand

I was like, "Damn what about me, and?"

A young teen forced to be, a grown man

Who idol was Michael Jordan, not a dopeman

"Dopeman, Dopeman" yet it's me

And ever since I heard that, yeah that's me

A 9th grade dropout, got a rock at the park

Me and Kurt ridin dirt, servin slims out the car

Dope boy fresh boy man I swear I was ballin

Fit from Kel, got my kicks from Walter



[Chorus]



[Shawty Lo]

They say I lucked up to get where I am

Real talk nigga I'm the man

(?) can't understand

Grindin every nigga if I didn't, did and

Yeahhh, I ran the bitch like Nino

See Lo man but my real name Carlo

Hood rich nigga comin straight from the kennel

(?) Street, Shawty Lo, Jay Leno

Yeah I'm im-proved

I made it do the do

D4L, who would ever knew

I musta dona something right, right? Yeahhhh



[Chorus]



[Shawty Lo]

Oh yeah, I got love for you haters

You really motivate a player

Ayy, I couldn'ta did it without ya

On the real, still did it without ya

Grandma, I told ya I got'cha

You told me I could and you told me I can

Never had doubt, in your lil' man

I swear to God you're the reason I stand

All I'm sayin



[Chorus]



[telephone skit:] "I'm in the booth right now, I'll call you right back"

Feels Good To Be Here

Shawty Lo's "Feels Good To Be Here" stands as a defining track from his 2008 album, Units in the City. Emerging from the vibrant Atlanta hip-hop scene, the recording captures the artist's signature melodic flow and energetic delivery that characterized his rise to prominence. The song reflects the celebratory spirit often found in his discography, blending catchy hooks with the polished production values typical of the late 2000s Southern rap era. As part of a body of work that includes hits like "Dey Know," this track showcases Lo's ability to craft anthems that resonate with fans of the Dirty South sound. The recording remains a testament to his influence on the genre, offering a snapshot of a specific moment in his career where his commercial appeal was at its peak.