Crossfire

Yes · Other Songs - Yes

Julie's sick and tired of her job n'all the reasons lately

She took it out on God and laid her soul to hell and let the baby die

Julie's child was born without a need or a reason for being

She took it as a message from a real and a distant life



Shirley gets to help her with the child though

She's strung out on crack time

Shirley never knew what it was to be held in real love

Together getting high to get to mess up their night

Anything to get up so they're losing their mind

Just to get high, breking out from this life, gotta get them a drug to get

Higher



Julie gets to walking out and drags the child, says "come on"

How we'll walk in the dark of the morning

Cars screaming round the corner, drugged to heaven,

Guns are loaded,

Locked in vengeance



Who shoots the child?



Watching in the ghetto is the spine and the cruel of the gang life

Sign language of the get go you get in the gang life

Fear the only law, fear is all we hear about,

Feed us in the raw, fear is all we fear about

Listen, get up, quickly get up, get up

It's the answer to punishment given you



Don't give us reasons,

Caught in the crossfire dying

God give us reasons,

Don't give a reason, God give a reason

Why lay dead a child's life?

Crossfire - Yes

Released in 1971, "Crossfire" stands as a defining track in the progressive rock canon, showcasing the band's early fusion of complex time signatures and soaring vocal harmonies. The song features the distinctive work of Jon Anderson on vocals and keyboards, delivering a dramatic narrative that captures the tension and movement characteristic of Yes's first era. Its intricate guitar interplay and driving rhythm section established a sonic template that would influence countless subsequent rock recordings. As a staple of the band's discography, the track exemplifies the studio craftsmanship and compositional ambition that defined Yes during their formative years, remaining a pivotal piece in the history of the genre.