Devilshit

ESham · Other Songs - ESham

Boy, boy, crazy boy

Gotta rocket in my pocket [x2]



[Esham]

Maximum overdrive, how to stay alive

Jumpin' outta Lear jets no parachute, skydive

Fuck these niggaz, I'm runnin' wit' a .45

I don't wanna be, ugh, I don't even wanna be alive

But if I gotta be NATAS, the hottest nigga wit' coatist

Bein' stated's what brought us, bloody up ya pratas

When I drag ya through the mud

Got love for guns, got love for slugs

Drugs, thugs wit' money turn ya rainy day sunny

The MDNA got my nose runny

Still runnin' up in these races

Runnin' against these racists

Treat ya like Joe Bruce wit' 2 faces

And I don't wanna be alive



[Chorus]

Boy, boy, crazy boy

Gotta rocket in my pocket

Boy, boy, crazy boy

Gotta rocket in my pocket

Dump, dump, dump, dump, dump, I'ma

Dump, dump, I'ma dumb, I'ma dumb, I'ma dumb

Boy, boy, crazy boy

Gotta rocket in my pocket

Boy, boy, crazy boy

Gotta rocket in my pocket



[Kool Keith]

Ski masks in the back seat

I'm turning 6th street, you bout to feel heat

E on the Burrough street

Callin' cops in, glocks in

Cocks in, niggaz are blocked in

Moving out to Washington

Turn the siren down, clap with gun sound

Double lock, back up wit' the gun, clown

You walkin North but the sign say South bound

Ambulance, yo, yo, you bucked down

Man, move, yo, kid, you duck down

Fall in the foxhole, move dodger

Hot ya vest now, move a little farther

Giddy-up hoes, you get fucked though

My aim sharp so, .38 slug so

I duck shells when they scatter 'round the rugs though

I dump twicely, I dump nicely

Kid precisely, penetrate the wall so

When I'm also

Tech penetrate yo spray ya torso



[Chorus]

Devilshit

ESham's 'Devilshit' stands as a potent example of the artist's raw, unfiltered approach to Southern hip-hop. Released alongside tracks like 'My Homie Got Shot' and 'Dumb Bitch', the song embodies the gritty, street-level narrative style that defined ESham's early career. The recording captures the aggressive delivery and thematic focus on violence and betrayal characteristic of the genre during that era. As part of his broader discography, the track reflects the intense, confrontational energy ESham brought to his work, distinguishing his voice within the landscape of 1990s and early 2000s rap music.