Getthefugoutmyface
ESham · Other Songs - ESham
[1st verse]
When i wake up in the morning i got to puff the gan
a pocket full of money saying IM THE MAN.
got a bitch on my line im gonna fuck today cause i didnt
get a chance to yesterday
ima hit the buzz spot and cop a bag of true
no im bout to tell you what i fina do
ima call this bitch set this date see if i can come fuck
before eight
and if i can come fuck, bust a nut, all day i be talking
bout nigga what
i got a homie in jail doing life for sure for living in detroit making it
snow
Got a nigga on the west side buying my o'z, behind closed doors he
sniffs it in his nose
want to be like scarface sniffing the white im fucking
this niggas bitch all last night
and she telling how the nigga aint fucked her right,
telling me all the news like Walter Kronkite
i said look here bitch i aint your man,
the shits played out like dapper dan
and if you looking for love you end up wrong place
get your panties out your ass and get the fuck out my face.
[2nd verse]
First thing that i learned when i got in the game.
was never talk down on a player's name
like steve russel and white boy rick got the fbi all on my dick
Im a young ass nigga with lots of loot,
the aligotor boots and aint afraid to shoot
if you bitch on my line nigga i did that cause all
hoes recognize me as the mac
i dont care who tell i want to do the brat,
pull th ebitch brains and fuck her from the back
i want to smoke me a blunt with cheech and chong,
niggas get fucked up all night long
I want a check on friday to buy some boones a fresh
pair of khakis and some fruit of the looms
take me out the hood but not the hood out me
an oz began and some hennesey
see i dont give a fuck you dont like my rhyme
a nigga like me high all the time
and we all know it aint no time to waist
imma just tell you GET THE FUCK OUT MY FACE.
Getthefugoutmyface
ESham's 'Getthefugoutmyface' stands as a potent example of the artist's raw, unfiltered approach to Southern hip-hop. Released alongside tracks like 'My Homie Got Shot' and 'Dumb Bitch', the song embodies the gritty, street-level narrative style that defines his discography. The recording captures the aggressive delivery and minimalist production typical of early 2000s rap, focusing on themes of conflict and personal struggle without relying on polished arrangements. As part of his broader body of work, including albums such as 'Repentance', the track highlights ESham's ability to convey intense emotion through direct lyricism and a distinct vocal presence. It remains a significant piece in his catalogue, reflecting the era's raw aesthetic and the artist's commitment to authentic storytelling over commercial polish.

