Breaking Us In Two [Live/1980-86]

Joe Jackson · Live 1980/1986 [1988]

Don't you feel like trying something new

Don't you feel like breaking out or breaking us in two

You don't do the things that I do

You want to do things I can't do

Always something breaking us in two



You and I could never live alone

But don't you feel like breaking out

Just one day on your own

Why does what I'm saying hurt you?

I didn't say that we were through

Always something breaking us in two



They say two hearts should beat as one for us

We'll fight it out to see it through

I say that won't be too much fun for us

Though it's oh so nice to get advice

It's oh so hard to do



Could we be much closer if we tried

We could stay at home and stare into each other's eyes

Maybe we could last an hour

Maybe then we'd see right through

Always something breaking us in two



They say two hearts should beat as one for us

We'll fight it out to see it through

I say that won't be too much fun for us

Though it's oh so nice to get advice

It's oh so hard to do



Could we be much closer if we tried

We could stay at home and stare into each other's eyes

Maybe we could last an hour

Maybe then we'd see right through

Always something breaking us in two



Always something breaking us in two

Breaking Us In Two [Live/1980-86]

Joe Jackson's 'Breaking Us In Two' captures the sharp wit and rhythmic complexity that defined his early career. Originally recorded during a period of intense experimentation, this live performance highlights the artist's ability to blend new wave energy with sophisticated jazz influences. The track stands as a testament to Jackson's dynamic stage presence during the 1980s, showcasing a sound that moved away from pure pop toward a more intricate, piano-driven rock aesthetic. Featured on the compilation Live 1980/1986, the recording offers listeners a glimpse into the evolution of his musical style during a transformative era. It remains a compelling example of his songwriting prowess, balancing emotional depth with the polished production values that characterized his work throughout the decade.