The Inc.
Ja Rule · Pain Is Love [2001]
[Caddillac Tah talking]
Yo, its like
Niggas just ain't, doin' it how we doin' it
Nah mean son? I G
[Chorus (2X)]
Murder INC.
Takin' flight
We go hard
Betta get it right
[Caddillac Tah]
We go hard! yeah
Player not for nuttin'
I spit fo' and leave a nigga bent up fo' sho', get low
Only got love for gangsta niggas, get doe
That's for all the hatin' niggas waitin' to see me go
Down to the bottom
Chop up crack
Playin' the blocks and
Still wouldn't matter, push the rock well like Stockton
Paper chasin', chasin' acres
Operation get rich, take money over a bitch
You see me move low in the six and magazines a flicks
Playin' hard in the porch, plush
Young thuggin' and bossed up
Touch niggas clutchin' what they know they bustin'
We can do whatever nigga, whenever nigga
Really is nothing
Murder killa, we crush 'em, shit
Got the industry on romadon
While we celebrate tastin' bottles of Perinon
So for life it's murder
Ice burners, stacks and trucks
We after bucks, mother fucker!
Murder INC.
[Black Child]
Murder INC.'s the underdog
It's a blessin' to ball
We learn a lesson from y'all
How not to fall
Black Child will body a beat, this is airway robbery
When Murder INC. drop albums, that's when gangstas party
What chu know about Ferrari or Cadillac Escalade
Or bitches on Ecstasy, sexy
Eat, sleep, eat and watch freaks eat freaks
Throw it up, put it down for the streets
Who wouldn't fall in love, with a life like this
Hittin' hoes that's priceless
In tight icebergs shit
You can blame the drugs
It ain't gon' change to slugs
A famous thug
Pain is love, mother fuckers!
[Chorus (2X)]
[Ja Rule]
Who would've thought, we get away with manslaughter
Numerous cars, cribs off the water
A playa no longer, life's gettin' shorter
Tired of hoes takin' offers, instead of orders
The Rule don't condone this
Cause in the late '60's this game was flawless
Until blow got on the rise
Them ol' Jacks was slingin' pies in bell bottoms and buttonflies
But now, pop yo collars, blow set for sag
And we still fly birds L-A-X to Lag
They roll caddies with white walls, we ride Benz with mags
Still the goal remains the same, guard from feds
Y-D to O-G, the game chose me
R-U-L-E the INC. and I-G
We never gon' break free from this life we live as thugs
Pain is love, it's murda
[Chorus (2X)]
[Ashanti]
You see the life we live, we on the murderous shit
And every time we breathe, it's Murder I-N-C
You know it's love to thug, cause thug is in our blood
And how we paint this shit, stay on that gangsta shit
You see the life we live, we on the murderous shit
And every time we breathe, it's Murder I-N-C
You know it's love to thug, cause thug is in our blood
And how we paint this shit, stay on that gangsta shit
Stay on that gangsta shit, stay on that gangsta shit
Stay on that gangsta shit
See what we do when we do what we do when we do it
Stay on that gangsta shit
The Inc. by Ja Rule
Released in 2001 on the album Pain Is Love, "The Inc." stands as a defining track in the evolution of East Coast hip-hop during the early 2000s. The song features a production style that blends the gritty, sample-heavy aesthetic of the late nineties with the polished, radio-friendly sheen that would characterize the emerging "gangsta pop" movement. Produced by the duo The Neptunes, the track showcases their signature ability to create lush, layered soundscapes that sit atop a steady, driving beat, providing a rhythmic foundation that allows Ja Rule's vocals to take center stage without overpowering the instrumentation.
Ja Rule's delivery on the track is characterized by a confident, melodic flow that bridges the gap between traditional rap and R&B singing. His performance captures the persona of a young, ambitious artist navigating the streets of New Jersey while seeking mainstream success. The lyrics, while not quoted here, focus on themes of street credibility, loyalty to his crew, and the allure of the music industry. The song serves as a testament to the era's shift toward incorporating more melodic elements into hip-hop, a trend that would heavily influence the genre for the next decade. The production's use of synthesizers and crisp hi-hats adds a layer of sophistication that distinguished it from the rawer, drum-machine-driven tracks of the previous period.
The inclusion of "The Inc." on Pain Is Love marks a significant moment in Ja Rule's discography, as it helped solidify his status as a leading figure in the New York hip-hop scene. The album itself was a commercial success, and the track contributed to its chart performance, reaching the upper levels of the Billboard Hot 100. Its popularity was driven by both its sonic quality and its ability to appeal to a broad demographic, from hardcore rap fans to pop radio listeners. The song's success paved the way for Ja Rule's subsequent collaborations and his eventual transition into a more polished, pop-oriented sound in later years.
Critically and commercially, "The Inc." is often cited as a prime example of the "gangsta pop" subgenre that dominated the early 2000s. It reflects the broader cultural shift where artists like Ja Rule, Jay-Z, and The Notorious B.I.G. were redefining the boundaries of what hip-hop could be, moving away from purely aggressive storytelling to include themes of romance, ambition, and partying alongside street life. The track's enduring appeal lies in its production, which remains a benchmark for quality in the genre, and Ja Rule's vocal performance, which set a standard for melodic rapping during that specific era. While some listeners may prefer the rawer sound of his earlier work, "The Inc." remains a pivotal record that encapsulates the energy and style of early 2000s hip-hop.
In the context of Ja Rule's broader catalogue, the song represents a high point of his early career before he began to explore more experimental and pop-focused directions. It is frequently referenced in discussions about the evolution of East Coast hip-hop and the role of The Neptunes in shaping the sound of the early 2000s. The track's legacy continues to be felt in contemporary hip-hop, where producers and artists often look back to this period for inspiration regarding beat construction and vocal delivery. Its placement on Pain Is Love, a collection of tracks that showcased Ja Rule's versatility, further cements its status as a significant work in his body of art.
The song's reception has remained largely positive over the years, with many considering it a classic of the genre. It is often included in playlists and compilations dedicated to 2000s hip-hop and The Neptunes' work. While specific chart positions from the era are historical data points, the song's impact on the culture of the time is undeniable. It helped establish Ja Rule as a household name and demonstrated the potential for hip-hop artists to achieve massive commercial success while maintaining a distinct artistic identity. The track remains a staple for fans of the genre and serves as a reminder of the vibrant musical landscape of the early 2000s.

