Waiting For Love

Nanci Griffith · Blue Roses From The Moons [1997]

Life is full of finer things, they're lost and found in the dark

It's a dog by the highway who said, "Goin' my way?"

Now, he lives in your own backyard

Waiting for love, you came along and fit the part



And it's a whistle from the man with the kindest hands

And a Norwegian name you can't say

You meet him in the street, tripping over your own feet

He claims you still anyway

Waiting for love, God forgives your lack of grace



And everyone I must know from my dust bowl to the city

Is waiting for love to start another day

They may be shy of heart or their pockets maybe empty

Yet they are waiting for love and that's enough to fill our days



It's the heartworn jokes of your dear father

And the laughter in your own mother's heart

It's that plane blowin' in with your loved one within

Who you've ached for in your time apart

When you're waiting for love, life's a thread of paths to cross



And everyone I must know from my dust bowl to the city

Is waiting for love to start another day

They may be shy of heart or their pockets maybe empty

Yet they are waiting for love and that's enough to fill our days



Whiter shade of pale is my best kept secret

It's the song that'll sail me back home

It's a picture in my hand of my own farm land

And the crops that I planted last spring

When you're waiting for love

You've got the finest life can bring



And everyone I must know from my dust bowl to the city

Is waiting for love to start another day

They may be shy of heart or their pockets maybe empty

Yet they are waiting for love and that's enough to fill our days

Oh, when you're waiting for love, you've got enough to fill your days



Waiting for love

Waiting For Love - Nanci Griffith

Nanci Griffith's 'Waiting For Love' stands as a poignant centerpiece on her 1997 album Blue Roses From The Moons. Rooted in the acoustic folk tradition, the track exemplifies Griffith's signature ability to blend lyrical storytelling with melodic warmth. The recording captures a reflective mood characteristic of her work during the mid-to-late 1990s, where she frequently explored themes of longing and personal growth. With her distinctive voice and guitar-driven arrangements, Griffith delivers a performance that resonates with listeners seeking authentic emotional depth. The song remains a testament to her enduring influence on the American folk revival, offering a timeless exploration of anticipation and hope.