(I Am In Love With The) Mcdonald's Girl
Hazell Dean · Other Songs - Hazell Dean
She has the smile of innocence oh so tender and warm.
I am in love with the mcdonald's girl
She is an angel in a polyester uniform
I leave from softball practice every night
It's getting dark but the golden arches light up the way.
I turn the corner at the traffic light.
I count my money and then i rehearse what i'm gonna say,
"i'd like an order of fries, a quarter pounder with cheese,
I love the light in your eyes. will you go out with me please?"
I am in love with the mcdonald's girl¡
She doesn't try to impress anyone
She's doesn't act real tough like all the other girls that i know.
She don't treat me like a simpleton.
She's not afraid to be the only other virgin i know.
And when my hamburgers cold, i get up ready to go,
She's only 15 years old, and i'm in love with her so¡
I am in love with the mcdonald's girl¡
There she stands behind the register
Taking orders from the saddle river little league
If they knew how much i wanted her
Their homeroom teacher would have to send them home for a week.
And as i head for the door, the movement catches her eye,
My heart begins to soar, she smiles and waves goodbye, goodbye, goodbye.
I am in love with the mcdonald's girl
She has the smile of innocence oh so tender and warm.
I am in love with the mcdonald's girl
She is an angel in a polyester uniform
She is an angel in a polyester uniform.
About (I Am In Love With The) Mcdonald's Girl
Hazell Dean's "(I Am In Love With The) McDonald's Girl" stands as a defining track of 1970s British pop, capturing the era's fascination with American culture and fast-food imagery. Released during her peak commercial success, the song blends upbeat rhythms with Dean's signature vocal style, creating a catchy anthem that resonated across Europe. While the lyrics reference a specific cultural icon, the recording itself exemplifies the polished production and melodic sensibilities that characterized her work on albums like *Hazell Dean* and *The Best of Hazell Dean*. The track remains a staple of her discography, illustrating her ability to craft songs that were both commercially viable and memorable, cementing her status as a leading figure in the UK's 1970s pop scene.