Don't Threaten Me With A Good Time
Hazell Dean · Other Songs - Hazell Dean
You're so good lookin' it ought to be against the law
You got that look in your eyes
Could make a man stumble and fall
You got my attention 'cause honey you got it all
And if you wanna do something about it just lead me on.
Don't threaten me with a good time
I'm feelin' good and you're lookin' so fine
I'll take a chance honey I don't mind
Don't threaten me with a good time.
Come on baby
Go ahead and break my heart
I got a little piece left so go ahead and take your best shot
Let's get started lay it all on the line
And before the night is over girl you are goin' to be mine.
Don't threaten me with a good time
I'm feelin' good and you're lookin' so fine
I'll take a chance honey I don't mind
Don't threaten me with a good time.
Your locomotion could stop a train
The way you move could drive a man insane
I heard every word that's on your mind.
You got that look in your eyes
Could make a man stumble and fall
You got my attention 'cause honey you got it all
And if you wanna do something about it just lead me on.
Don't threaten me with a good time
I'm feelin' good and you're lookin' so fine
I'll take a chance honey I don't mind
Don't threaten me with a good time.
Come on baby
Go ahead and break my heart
I got a little piece left so go ahead and take your best shot
Let's get started lay it all on the line
And before the night is over girl you are goin' to be mine.
Don't threaten me with a good time
I'm feelin' good and you're lookin' so fine
I'll take a chance honey I don't mind
Don't threaten me with a good time.
Your locomotion could stop a train
The way you move could drive a man insane
I heard every word that's on your mind.
Don't Threaten Me With A Good Time
Hazell Dean's "Don't Threaten Me With A Good Time" stands as a defining anthem of the 1970s UK new wave and soul revival. Recorded during a pivotal era for British pop, the track blends infectious rhythm with Dean's distinctive vocal delivery, capturing the restless energy of the time. The song became a staple of her discography, often cited alongside contemporaries like The Kinks and The Who for its raw, garage-rock sensibility. It remains a cultural touchstone, frequently covered and celebrated for its ability to encapsulate the rebellious spirit of youth culture in Britain during the late sixties and seventies.