I've Had Enough

Hazell Dean · Other Songs - Hazell Dean

I was only four when my father left home.

Little baby sister, mama and me.

They were only children when they got married.

How they gonna raise a family?



Daddy got a job in a canned good factory

Working like a fool day after day.

Coming home to tv thrills and doctor bills

Till he had to take a cut in pay. he said,



I've had enough. i've had enough.

I've had enough. i've had enough.



I was always trouble when i was in school.

Someone always making me tow the line.

Finally went and told the bastard where to go.

He can get theirs, but he can't touch mine.



I was in the army when i was sixteen.

All the rain i thought it would never stop

Brought away an armload of souvenirs and

Now you know i still can't find a job. i said,



I've had enough. i've had enough.

I've had enough. i've had enough.



Help me. help me. help me. help me. i don't want to hurt.

I have always done my best. but nothing seems to work. nothing seems to work.



I was never asking for charity,

Only that i get what i have earned

And that i be treated with respect

And god knows why but you've still not learned.



I am not a liar or insincere.

I have always treated you people fair.

There were times i turned my whole self inside out but damn it

You never seemed to care. now,



I've had enough. i've had enough.

I've had enough. i've had enough.

I've Had Enough - Hazell Dean

Hazell Dean's 'I've Had Enough' stands as a defining track from her 1980s pop-rock catalog, capturing the raw energy and emotional vulnerability characteristic of her solo career. Released during a period where she was establishing herself as a leading figure in the British pop scene, the song reflects the genre's blend of catchy melodies and poignant storytelling. The recording showcases Dean's distinctive vocal style, which often balanced power with a sense of weary determination, perfectly suited to the song's theme of reaching a breaking point. As part of her broader discography from the early 1980s, the track exemplifies the era's shift toward more personal and direct lyrical content, resonating with listeners seeking authentic expression within the mainstream pop framework.