Sweet thing
Waterboys · Fisherman's Blues [1988]
(Van Morrison, John Lennon)
And I will stroll the merry way and jump the hedges first
and I will drink the clear clean water for to quench my thirst
And I shall watch the ferry-boats and they'll get high
on a blue ocean, against tomorrow's sky
And I will walk and talk in gardens all wet with rain
and I will never grow so old again
Oh sweet thing, sweet thing
my, my, my, my, my sweet thing
And I will stroll the merry ways and jump the hedges first
and I will drink the clear clean water for to quench my thirst
And I shall watch the ferry-boats and they'll get high
on a blue ocean against tomorrow's sky
And I will walk and talk in gardens all wet with rain
and never ever ever ever ever get so old again
Ooh...
sweet thing
My my my...
And I shall drive my chariot down your streets and cry
"Hey, it's me! I'm dynamite and I don't know why"
And you shall take me warm in your arms again
and I will not remember that I ever felt the pain
And I will walk and talk in gardens all wet with rain
and never ever ever ever ever get so old again
Ooh
sweet thing
Yeah yeah yeah...
sweet thing
My my my...
And I will raise my hand up into the night time sky
and count the stars there shining in your eyes
Just to dig it all an' not to wonder, that's just fine
and I'll be satisfied not to read in between the lines
And I will walk and talk in gardens all wet with rain
and never ever ever ever ever get so old again
Sugar-baby with your champagne eyes
and your saint-like smile....
Blackbird singing in the dead of night
blackbird singing in the dead of night
Take this broken wing and learn to fly
all your life you were just waiting for this moment to arrive
Blackbird singing in the dead of night
take your sunken eyes, learn to see
All your life you were only waiting for this moment to be free...
Sweet thing
Sweet thing stands as a vibrant example of Mike Scott's distinctive songwriting during the Waterboys' celebrated folk-rock era. Released on the 1988 album Fisherman's Blues, the track captures the band's signature blend of Celtic instrumentation and expansive rock arrangements. The recording reflects the group's deep engagement with Irish musical traditions while maintaining the energetic, anthemic quality that defined their mid-caree output. Scott's composition weaves together themes of longing and connection, delivered through the band's characteristic rich harmonies and driving rhythms. This work remains a key part of the Waterboys' discography, illustrating their ability to craft emotionally resonant music that bridges the gap between traditional folk storytelling and modern rock sensibilities. The song endures as a testament to the band's creative peak during this influential period.

