The three day man

Waterboys · Waterboys [1983]

The three day man :: Waterboys



I'm the three day man

it's three days too long

Everything is in its right place but

something is wrong

Time is on wheels

and my legs shake

I have to live with every decision

that you make



And that doesn't mean

that I'll be your slave

It doesn't mean you're here to stay

it doesn't mean we're friends for life

You know I want you

you know that I love you

But I'll never need you anyway

I'll never need you anyway



Sixes and sevens

oh how it rains

Sleep is a station

life is a train

People snatch instinctively for

whatever crutch they need

But I promise not to abuse you

if you don't love me leave



And that means

that I'll be never your slave

It means that you're not here to stay

means that we're not friends for life

You know how I want you

you know that I love you

But I'll never need you anyway

I'll never need you anyway

never need you anyway



And that means

that I'll be never your slave

It means you're not here to stay

means we're not friends for life

You know how I want you

you know that I love you



But I'll never need you anyway

I'll never need you anyway

I'll never need you anyway

never need you anyway

I'll never need you anyway

I'll never need you!

About The three day man

"The Three Day Man" stands as a defining track from The Waterboys' 1983 debut album, *Waterboys [1983]*. Released during the height of the post-punk revival, the song showcases the band's unique ability to blend folk instrumentation with driving electronic rhythms and complex vocal harmonies. Written by Maddy Prior, the recording captures the group's early experimentation with genre-bending sounds, establishing a template that would influence countless alternative and indie acts in the following decades. The track remains a staple of their discography, often cited for its atmospheric production and emotional depth. Its enduring popularity reflects the band's commitment to crafting music that feels both timeless and distinctly of its era. As a key component of their early catalog, it exemplifies the Waterboys' transition from a punk-influenced outfit to a sophisticated musical collective capable of sustaining long-form, intricate compositions.