Too hot for Clean Head

Waterboys · Other Songs - Waterboys

Well it's too hot for the baker man

too hot for the laundry man

Too hot for the fireman

but it's alright

It ain't too hot for Clean Head

he's gonna blow all night



Well it's too hot for the bogey man

too hot for the Gardai man

Too hot for the candy man

but it's alright

It ain't too hot for Clean Head

he's gonna blow all night



Well it's too hot for Spiderman

too hot for Superman

Too hot for Joker Man

but it's alright, yes it's alright

It ain't too hot for Clean Head

he's gonna blow all night



Well it's too hot for the Galway man

too hot for the Mayo man

Too hot for the Kerry man

but it's alright, yes it's alright

It ain't too hot for Clean Head

he's gonna blow all night



Well it's too hot for the fiddle man

too hot for the drummer man

Too hot for the guitar man

but it's alright, yes it's alright

It ain't too hot for Clean Head

he's gonna blow all night

Too Hot for Clean Head

Released by The Waterboys, 'Too Hot for Clean Head' stands as a defining track from their early era, characterized by the band's signature blend of folk-rock and psychedelic pop. The song features the distinctive vocal delivery of Mike Daisey, who often employed a falsetto style that became a hallmark of their sound. Thematically, the track explores the tension between innocence and the overwhelming heat of adult experiences, a recurring motif in the group's catalog during the mid-1980s. Its driving rhythm and melodic structure reflect the band's ability to fuse traditional instrumentation with progressive songwriting, influencing a generation of indie and alternative acts. The recording captures the raw energy of their formative period, showcasing a musical identity that would evolve significantly over the decades.