Hell's Bells

AC/DC · Who Made Who [1986]

I'm a rolling thunder, a pouring rain

I'm comin' on like a hurricane

My lightning's flashing across the sky

You're only young but you're gonna die

I won't take no prisoners, won't spare no lives

Nobody's putting up a fight

I got my bell, I'm gonna take you to hell

I'm gonna get you, Satan get you



Hell's Bells

Yeah, Hell's Bells

You got me ringing Hell's Bells

My temperature's high, Hell's Bells



I'll give you black sensations up and down your spine

If you're into evil you're a friend of mine

See my white light flashing as I split the night

'Cause if God's on the left, then I'm stickin' to the right

I won't take no prisoners, won't spare no lives

Nobody's puttin' up a fight

I got my bell, I'm gonna take you to hell

I'm gonna get you, Satan get you



Hell's Bells

Yeah, Hell's Bells

You got me ringing Hell's Bells

My temperature's high, Hell's Bells



yeow

Hell's Bells, Satan's comin' to you

Hell's Bells, he's ringing them now

Hell's Bells, the temperature's high

Hell's Bells, across the sky

Hell's Bells, they're takin' you down

Hell's Bells, they're draggin' you around

Hell's Bells, gonna split the night

Hell's Bells, there's no way to fight, yeah



Ow, ow, ow, ow



Hell's Bells

Hell's Bells

Hell's Bells stands as a defining track in AC/DC's extensive catalogue, showcasing the band's signature hard rock power. Originally released on the 1980 album Back in Black, the song became an enduring anthem known for its dramatic opening bell toll and driving rhythm. While frequently associated with that landmark record, this specific recording appears on the 1986 compilation Who Made Who, which served as the soundtrack for the film Top Gun. The track exemplifies the group's ability to blend heavy riffs with straightforward, impactful songwriting. It remains a staple of their live performances and a testament to their lasting influence on rock music. The song's intensity and memorable structure continue to resonate with fans across generations, cementing its place alongside other classics in the band's celebrated body of work.