Meltdown
AC/DC · Stiff Upper Lip [1999]
Night time or day
Looking at a female
Hey, hey, hey
Gotta get up and come home
And run around the hay
Making her sweat,
Telling her to last all through the day
Man it's getting hot - hot - hot
I said man it's getting hot - hot - hot
It's getting hotter
And hotter
Man it's getting hot - hot
It's getting hot around here
It's a meltdown
It's a meltdown
I got a feeling in my bones
I been working my brains out
All night long
Stoke another fire
Take them hard up to the wall
Burn the longest log
Burn me down
Man it's getting hot - hot - hot
I said man it's getting hot - hot - hot
It's getting hotter, and hotter
Man it's getting hot, hot
It's getting hot around here
It's a meltdown
It's a meltdown
It's a meltdown
It's a meltdown
- solo -
Man it's getting hot - hot - hot
I said man it's getting hot - hot - hot
It's getting hotter
And hotter
And hotter
And hotter
It's a meltdown
It's a meltdown
It's a meltdown
It's a meltdown
It's a meltdown - Gonna burn
It's a meltdown - I said burn, burn
It's a meltdown
Meltdown
Meltdown
It's a meltdown
It's a meltdown
Meltdown
Meltdown stands as a defining track from AC/DC's 1999 album Stiff Upper Lip, capturing the band's enduring high-voltage energy during the late nineties. The recording showcases the classic hard rock formula that has anchored the group's discography for decades, driven by Angus Young's searing guitar work and Brian Johnson's commanding vocals. As part of an era where the band reaffirmed their status as rock stalwarts, the song reflects their ability to maintain a powerful, straightforward sound without relying on excessive complexity. It fits seamlessly within a catalogue known for anthemic riffs and driving rhythms, offering listeners a potent example of the band's consistent musical identity. The track remains a testament to their ability to deliver impactful rock music that resonates with both longtime fans and new audiences alike.

