Frenzy
Ke$ha · Other Songs - Ke$ha
Blow 'em up
Blow my speakers up
Blow my speakers up
Blow 'em up
Blow my speakers up
(ohh)
Blow my speakers up
Blow 'em up
Blow my speakers up
Blow my speakers up
Blow 'em up
Blow my speakers up
lets talk about Jesus Christ
Lets talk it out what you like
Or makes you tick...
Or makes you cry..
Or makes you sick..
Whats on your mind
(Oh no)
Oh no
Lets build a Frenzy
Lets go, Play with the boundries
Maestro, I'm wound up and rowdy
Oh no
Lets build a Frenzy
(oh ..no)
Lets me show you what I like
I want you to do it right
Take the time
Off your mind
Get your guns
Hunting out demons tonight
Oh no
Lets build a Frenzy
Lets go, Play with the boundries
Maestro, I'm wound up and rowdy
Oh no
Lets build a Frenzy
Oh
Lets go to the Disco
Its magic
Let go to the Disco
Fantastic
Lets go get the SoCo.
(Get at it)
Get at it
I wanna go get stoned
Blow my speakers up
Blow 'em up
Blow my speakers up
Blow my speakers up
Blow 'em up
Blow my speakers up
(ohh)
Blow my speakers up
Blow 'em up
Blow my speakers up
Blow my speakers up
Blow 'em up
Blow my speakers up
Track it out Jesus Chri-i--i--i--i-i-ist
Oh
Oh no
Lets build a Frenzy
Lets go, Play with the boundries
Maestro, I'm wound up and rowdy
Oh no
Lets build a Frenzy
Oh no
Lets build a Frenzy
Lets go, Play with the boundries
Maestro, I'm wound up and rowdy
Oh no
Lets build a Frenzy
(repeat through fade)
Frenzy - Ke$ha
Released in 2010, 'Frenzy' stands as a defining track in Ke$ha's evolution from pop-punk revivalist to electronic dance icon. The song features a driving, repetitive synth beat that anchors its aggressive, high-energy delivery, marking a sharp departure from her earlier sound. Produced by the duo The Neptunes, the recording captures the raw, unfiltered intensity of the early 2010s club scene, blending elements of electro-pop with a punk-rock attitude. Its catchy chorus and relentless rhythm made it an immediate staple at festivals and parties worldwide, solidifying Ke$ha's status as a global pop star. The track exemplifies the era's shift toward more synthesized, dance-oriented pop while maintaining a distinct, gritty vocal performance that became a hallmark of her discography.

