Blasphemer
Sodom · The Final Sign Of Evil [2007]
Black metal is the game I play
'Cause no one show me the right way
I am a bloody Antichrist, only believe in bad
Spit at the church, evil I get
Blasphemer
Blasphemer
Blasphemer
Blasphemer
Rites of death return to Hell
I am Satan's child, attack you with spell
I turn the cross upside down
And read Satanic Bible with fucking crown
My life begins at midnight twelve
Masturbate to kill myself
Blasphemer
Blasphemer
Blasphemer
Blasphemer
Rites of death return to Hell
I am Satan's child, attack with spell
I love to drink my own blood
My sin is my life in a war with God
I talk to the demons night tonight
Make love and black masses in a dark shadow light
Blasphemer
Blasphemer
Blasphemer
Blasphemer
Rites of death return to Hell
I am Satan's child, attack you with spell
Blasphemer
Blasphemer
Blasphemer
Blasphemer
'Cause no one show me the right way
I am a bloody Antichrist, only believe in bad
Spit at the church, evil I get
Blasphemer
Blasphemer
Blasphemer
Blasphemer
Rites of death return to Hell
I am Satan's child, attack you with spell
I turn the cross upside down
And read Satanic Bible with fucking crown
My life begins at midnight twelve
Masturbate to kill myself
Blasphemer
Blasphemer
Blasphemer
Blasphemer
Rites of death return to Hell
I am Satan's child, attack with spell
I love to drink my own blood
My sin is my life in a war with God
I talk to the demons night tonight
Make love and black masses in a dark shadow light
Blasphemer
Blasphemer
Blasphemer
Blasphemer
Rites of death return to Hell
I am Satan's child, attack you with spell
Blasphemer
Blasphemer
Blasphemer
Blasphemer
Blasphemer - Sodom
Released on the 2007 album The Final Sign Of Evil, Blasphemer is a track by the German thrash metal band Sodom. The song exemplifies the group's signature style, characterized by aggressive riffs, fast-paced drumming, and the distinctive vocal delivery of guitarist/lyricist Thomas Rabenalt. As part of Sodom's extensive discography, the track contributes to their reputation as pioneers of the genre, blending technical proficiency with themes of religious and social critique common in their work from the late 1980s through the 2000s. The recording maintains the high-energy intensity typical of Sodom's catalog, serving as a powerful representation of their enduring influence on extreme metal.

