Don't Call Me Darling

Fall · Other Songs - Fall

[first two lines whispered by Brix]

Don't call me darling

Don't call me darling

Harbouring [audience]

hates this

wants this

she hates this

>>Don't call me darling

>>Don't call me darling

>>Don't call me darling

>>Don't call me darling

The long black hair

of wretched blue [bottle?]

darting all over

to no avail

I got zero tolerance

My head full [paggerel swamp]

>>Don't call me darling

>>Don't call me darling

>>Don't call me darling

>>Don't call me darling

People hate beauty

I cannot fathom it

They smell of old [pallid]

voices thick with

Bouncing Jackson

with stupidity

>>Don't call me darling

>>Don't call me darling

>>Don't call me darling

>>Don't call me darling

[[Don't call me darling

Soon there will be dancing

around the queue strippy

high and cheap

why do people hate beauty

I cannot fathom it

a bouncing...

>>Don't call me darling

>>Don't call me darling

..brown suit...

>>Don't call me darling

..bouncing...

>>Don't call me darling

..bouncing...

>>Don't call me darling

..bouncing...

>>Don't call me darling

..bouncing...

>>Don't call me darling

..bouncing...

>>Don't call me darling

..bouncing...

>>Don't call me darling

..bouncing...

>>Don't call me darling

..bouncing...

>>Don't call me darling

..bouncing...

>>Don't call me darling

..bouncing...

>>Don't call me darling

.why...do...people...hate...

>>Don't call me darling

>>Don't call me darling

>>Don't call me darling

>>Don't call me darling

>>Don't call me darling

>>Don't

>>call

>>me

>>darling

Don't Call Me Darling

Fall's 1983 single "Don't Call Me Darling" stands as a defining track of the post-punk revival, characterized by its driving basslines and atmospheric production. Released during the band's peak creative period, the recording exemplifies the genre's fusion of industrial noise and melodic sensibility. The song features the distinctive vocal delivery of Ian McCulloch, who often employed a detached, rhythmic phrasing that became a hallmark of the group's sound. While the track lacks a traditional chorus, its repetitive structure and haunting melody created an enduring impact on fans and peers alike. The recording captures the tension and energy of early Manchester music, influencing countless artists who followed in the wake of the band's experimental approach to rock and electronic instrumentation.