Suavemente 2005 Feat. Elvis Crespo

Scooter · Other Songs - Scooter

(Dave)

Ragazzi. Aaah.



(Verse 1)

Spinnin' out lyrics since the day I was born

And the amount of lyrics I got is against the law

How many girls have I got on call waiting

About ten, bad man's hating

I got a key I'm gonna lock it, one, two, three

I never drop it, I ain't gonna finish

I never stop it, I'm the lyrical miracle rap rocket, yeah



(Chorus)

(Crespo)

Suavemente besame

Que quiero sentir tus labios

Besandome otra vez

Suavemente besame

Que quiero sentir tus labios

Besandome otra vez



(Dave)

Come on!

Here we go!



(Verse 2)

M.Cing's what I'm doing, and a battle of wits

All the lyrics that I spin are gonna rip you to bits

I'm gonna run down till my lungs drown

Battle in the tongue wore my dubs down

I got a key I' m gonna use it, one, two, three

I never lose it, I ain't gonna finish, I never stop it

I'm the lyrical miracle rap rocket, yeah



(Chorus)

(Crespo)

Suavemente besame

Que quiero sentir tus labios

Besandome otra vez

Suavemente besame que

Quiero sentir tus labios

Besandome otra vez



(Dave)

Yeah,! come on!, Jaaaaa!, Get it out!



Ahhh! Yeah.

Whenever people agree with me

I always feel I must be wrong

Ha!

hola

Una cerveza

Ahhh!

Una cerveza!!!

Yeah! Here we go. Jaaa.

La bamba discotheca!

Suavemente 2005 Feat. Elvis Crespo

Scooter's 2005 collaboration with Elvis Crespo on 'Suavemente' exemplifies the German electronic group's signature high-energy approach to dance music. By reinterpreting a classic Latin pop standard, the track merges the band's relentless hardcore beats with the smooth, rhythmic vocals of the Puerto Rican singer. This recording highlights Scooter's ability to adapt established hits into driving club anthems, maintaining their status as pioneers of the Eurodance genre. The song stands as a testament to their prolific output during the mid-2000s, showcasing a seamless blend of electronic production and international pop sensibilities. It remains a vibrant song in their extensive catalogue, demonstrating how the group continues to experiment with vocal features and cross-genre influences to energize their audience.