New Model No. 15
Marilyn Manson · Mechanical Animals
And I'm vague and I know that I'm
Homopolitan
Pitifully predictable
Correctly political
I'm the new, I'm the new, new model
I've got nothing inside
Better in the head and in bed
At the office
I can suck and smile
New, New, New model
New, New, New model
I can choke and diet on coke
I'm spun and I know
That I'm stoned and rolling
Lifelike and poseable
Hopeless and disposable
I'm the new, I'm the new, new model
I've got nothing inside
Better in the head and in bed
At the office
I can suck and smile
New, New, New model
New, New, New model
New, New, New model
New, New, New model
Pitifully predictable
Correctly political
Pitifully predictable
Correctly political
Don't let them know how far you go
Or that you use your "lovers"
Oh look, you're like a VCR
Stick something in to know
Just who you are
I'm the new, I'm the new, new model
I've got nothing inside
Better in the head and in bed
At the office
I can suck and smile
New, New, New model
New, New, New model
New, New, New model
New, New, New model
New, New, New model
New, New, New model
New, New, New model
New, New, New model
New Model No. 15
Released on the 1998 album Mechanical Animals, 'New Model No. 15' stands as a defining track in Marilyn Manson's evolution toward industrial rock. The song exemplifies the genre's fusion of aggressive electronic textures with distorted guitars, reflecting the artist's signature theatrical intensity. As a centerpiece of the Mechanical Animals era, it showcases Manson's ability to blend pop structures with dark, avant-garde themes. The recording captures the peak of his influence in the late 1990s alternative scene, establishing a sonic template that would characterize his subsequent discography. Its enduring presence in the catalogue highlights its status as a staple of his work, resonating with fans who appreciate the intersection of punk energy and electronic precision.