Sing Joy Spring

The Manhattan Transfer · Other Songs - The Manhattan Transfer

We sing a spring

(Sing joy spring)

A rare and most mysterious spring

(This most occult thing)

Is buried deep in the soul

(It's story never has been told)



The joy spring, the fountain of pleasure

Is deep inside you whether you're diggin' it or not

Once you're aware of this spring

You'll know that it's the greatest

Treasure you've got

And furthermore

The joy spring, the bounteous treasure

Cannot be bartered away and never

Can be sold

Nothing can take it from you

It's yours and yours alone to have

And to hold

And something more:

It never is lost to fire or theft

It's always around

When trouble is gone the pleasure

Is left I've always found

It's burglar-proof same as the treasure

Man lays up in heaven worth a

Price no one can measure

That says a lot

So joy spring this fountain of pleasure

That's deep inside you let me inform

You in all truth *(to Coda second time)

Ponce de Leon sought this

When he was searchin' for the fountain of youth



Ol' Ponce de Leon laughed so much he

Never did find the magic fountain

But many people with a well-adjusted

Spirit they could hear it when y'told

'em it was there tellin' them was

Like tellin' it on the mountain



It's quite a life havin' the gift of

Laughter I'm a man who knows in a

Minute I can tell y'just exactly how the story goes

It involves a firm conviction in another

Previous life givin' your mind a chance to fly

Fly aroun' the universe investigatin' other

Galaxies n' certain other subtle

Types o'life tryin' t'dig it gettin'

Pretty well-acquainted with a lot of

Other strife an' pretty much acquirin'

Yourself plenty of education

Pretty soon here comes earth birth

'n then y'ready t'put it all t'work

But soon as you're finished bein' born

You start forgettin' what you knew

'Cause you're another kinda you - a

Reincarnation manifestation

Of spirit in sensation



Y'really got that right

The average person isn't bright

Not so bright that they recall the fatal fall

Down here t' this earth

Their minds disguise their death to spirit

Life and call it birth

That's their reason for forgetting and they

Find it very upsetting when reminded

Tell 'em they've lived before

They'll show y' the nearest open door

Gotta have feelin' while dealin' with

Walkers in their sleep

They can't imagine somethin' as deep



Here they come - here they come - there they are

Unimaginative and ignorant of falling from a star

Here they come - there they are - there they go

Life is over in a minute an' they never dug

It in it or enjoy a minute of it

'cause they put too much above it

That was gross

Somethin' that was worth a couple bucks

At mos'



So there is the reason that the maker of man

Included there in his plan

A certain fountain deep within'

Where there was laughter, youth 'n gold

For human beings t'have 'n hold

'n share the memory of where we've all been



Brothers called Grimm knew chances were slim'

Anybody would dig that the human soul

Was Snow White

And the Seven Dwarfs were seven tempers

In man

Whose digging out the gold completes

The plan

An Bacon was hip that Shakespeare

Couldn't read

And so he gave him all the rhymes

That have lasted through the years

And kept eternal truths alive through

Several centuries

That's how we know them now

They lasted 'cause they're true



What was it from "MacBeth?"

"Life's but a walking shadow

A player poor

That struts and frets upon the stage

And's seen no more

A tale that truly has an idiotic ring

That's full of lotsa sound and fury

Signifying nothing..."



That's right signifying nothing

I'll repeat it! Nothing

Don't forget it - Nothing

And that's the reason for that spring

Of joy

That the Father put inside of every

Single girl and boy



Show time! Everyone's on

Let's hit the stage

It's show time everyone an' proceed

To act your age



Whatever you're frownin' at is funny

Enough f'laughin'

So you're wastin' all your humor on a frown

While you're bringin' your spirit down



You gotta book yourself a comic in your act

Without some laughter life's a maudlin

Farce 'n that's a fact



Once you know about the spring you always can smile

It becomes your one expression

And you're always wearin' it like the

Buddhas do



(Repeat Intro to *)

(Coda)

Ponce de Leon sought this

When he was searchin'

For the fountain of youth

I say in truth he

Sought a magical thing

For he was searchin'

For the joy spring

Sing Joy Spring by The Manhattan Transfer

The Manhattan Transfer, a pioneering vocal ensemble formed in New York City in 1966, redefined the boundaries of jazz and pop music through their distinctive four-part harmony and eclectic repertoire. Their 1970 recording of "Sing Joy Spring" stands as a testament to their ability to blend traditional folk melodies with sophisticated jazz improvisation and rhythmic complexity. The song, originally a popular folk standard, was transformed by the group into a vibrant showcase of their signature style, characterized by intricate vocal interplay and a rich, layered texture that became hallmarks of their sound.

Recorded during a period when the group was solidifying their reputation as a major force in the jazz-folk crossover scene, the track exemplifies their commitment to exploring diverse musical traditions. The arrangement features a dynamic interplay between the sopranos and the tenor and bass voices, creating a polyphonic tapestry that elevates the source material. The rhythm section provides a driving, swinging groove that contrasts with the lyrical, uplifting nature of the melody, a hallmark of the group's approach to arranging folk songs for a jazz context. This recording captures the essence of their early career, where they were actively seeking to carve out a unique identity distinct from the prevailing rock and soul trends of the era.

The song's placement within the broader discography of The Manhattan Transfer highlights their versatility and their willingness to tackle material that might not have been their primary focus. While they are perhaps best known for their interpretations of classic jazz standards and original compositions, "Sing Joy Spring" demonstrates their deep respect for the folk tradition while applying a modern, jazz-inflected lens. The performance reflects the collaborative spirit that defined the group, with each member contributing to a collective voice that is both individualistic and harmonically unified. The recording serves as a snapshot of the musical landscape of the late 1960s and early 1970s, a time when the lines between genres were increasingly blurred by innovative artists like The Manhattan Transfer.

Critically, the group's work from this era was met with significant acclaim, establishing them as a leading act in the jazz-folk movement. Their ability to maintain the integrity of the original song while infusing it with their unique vocal style and rhythmic flair was widely praised by music journalists and critics alike. The performance on "Sing Joy Spring" is often cited as an example of their technical proficiency and artistic maturity, showcasing a level of vocal control and ensemble cohesion that would become central to their legacy. The song remains a favorite among fans of the group for its melodic appeal and the joyous, celebratory mood it evokes, reflecting the group's own reputation for bringing energy and positivity to their performances.

In the context of the group's catalog, this track represents a pivotal moment in their evolution from a student group to a professional ensemble capable of commanding large venues and influencing the broader music scene. The arrangement and vocal delivery set the stage for their subsequent success, including their famous rendition of "Spice of Life" and other iconic tracks. "Sing Joy Spring" endures as a quintessential example of The Manhattan Transfer's artistry, embodying the fusion of folk melody and jazz improvisation that continues to resonate with audiences today. It stands as a reminder of their dedication to musical exploration and their unique contribution to the history of American vocal jazz.