Apple Of Sodom
Marilyn Manson · Other Songs - Marilyn Manson
is the center of truth today.
I cut the apple in two.
Oh, I pray it isn't true.
I've found the center of fruit is late
is the center of truth today.
Cut the apple in two.
Oh, I pray it isn't true.
I've got something you can never eat.
I've got something you can never eat.
I've got something you can never eat.
I've got something you can never eat.
I've drained my heart, I've burned my soul.
I've trained the core to stop my growth.
I pray to die in space,
to cover me in snow,
to cover me in snow,
cover me in snow,
I'm dying, I hope you're dying too.
cover me in snow.
I'm dying, I hope you're dying too.
I'm dying, I hope you're dying too.
I'm dying, I hope you're dying too.
I'm dying, I hope you're dying too.
I'm dying, I hope you're dying too.
I'm dying, I hope you're dying too.
I'm dying, I hope you're dying too.
Take this from me.
Hate me. Hate me.
Take this from me.
Hate me. Hate me.
1, 2, 3, he is a speed bump mannequin.
1, 2, 3, he can't move just stand still.
1, 2, 3, he is a speed bump mannequin.
1, 2, 3, he can't move just stand still.
I've got something you can never eat.
Apple Of Sodom
Released in 1996 on the album Mechanical Animals, 'Apple Of Sodom' stands as a defining track in Marilyn Manson's evolution toward industrial metal and electronic rock. The song features the iconic vocal performance of 'The Beautiful People,' a haunting melody that blends aggressive distortion with atmospheric synths, characteristic of the mid-90s alternative scene. It explores themes of consumerism and societal decay, utilizing a dark, brooding aesthetic that became central to Manson's public persona during this era. The recording showcases the band's ability to merge heavy riffs with electronic textures, creating a sonic landscape that influenced a generation of post-grunge and industrial artists. As a staple of the Mechanical Animals catalogue, the track remains a powerful representation of the genre's intensity and emotional depth.