Layin' Pipe
David Wilcox · Other Songs - David Wilcox
My brother too
He got me in the union
I'm payin' my dues
Oh but the woman I love
Has expensive taste
She's never satisfied
The latest things
A diamond ring
A car with an ultra-glide
I work so hard
Payin' for all that stuff
Eight shifts a week
It's never enough
I'm layin' pipe all night long
Layin' pipe
I'm workin' so hard
I'm layin' pipe
All night long
Layin' pipe
To satisfy that woman
I don't mind working
If the money's okay
I take the night shift
I sleep all day
Dust and mud is in my blood
Underground cable in my way
I punch a clock and start my rig
Don't know how deep I might have to dig
I wish I had a million dollars
To buy her everything she needs
She'd only come back for more and more and more and
more and more and more and more
I'm layin' pipe
All night long
Layin' pipe
I'm working so hard
I'm layin' pipe
All night long
Layin' pipe
To satisfy that woman
I put the pipe in
I pull it out again
My back is so sore
I can't work much more
I can't get my traction
The ground's too wet
I take a ten minute break
Ah smoke a cigarette
I don't mind the night shift
The cool breeze when the sun goes down
Winter time the ground is hard
Take twice as long to drill down
I'm layin' pipe
All night long
Layin' pipe
I'm working so hard
I'm layin' pipe
All night long
Layin' pipe
To satisfy that woman
Layin' Pipe
David Wilcox's 'Layin' Pipe' stands as a defining track from his 1989 debut album, 'How Did You Find Me Here.' Released during the height of the Australian folk-rock revival, the song captures the raw energy and introspective storytelling that characterized Wilcox's early career. With its driving rhythm and characteristic vocal delivery, the recording exemplifies the genre's blend of acoustic instrumentation and emotional depth. The track remains a staple of his discography, often cited alongside other seminal works like 'Bad Apple' and 'Fire In My Bones' as a prime example of the era's independent spirit. It reflects a period where Wilcox was establishing his signature style, moving beyond simple pop structures to explore more complex narratives within the folk-rock framework.
