24 Decembre
Pizzicato Five · Other Songs - Pizzicato Five
Translator: andrei cunha
(you'd better watch out
You'd better not cry
Come on everybody
It's time to celebrate)
Jûnigatsu nijûyokka
Anata wa
Nani wo shiteru
Watashi wa
Machi no dokoka de
Zutto anata wo matteruuuuuu
Tôkyô wa itsudatte
Itsudatte nigiyaka da kedo
Jûnigatsu nijûyokka
Hitori-kiri wa sukoshi samishii
Den'wa mo konakunatte
Ishûkan kurai da kedo
Yakusoku
Wasuretenai deshô
Jûnigatsu nijûyokka
Anata wa
Doko ni iru
Watashi wa
Machi no dokoka de
Zutto anata wo matteru
Watashi wa
Itsudatte
Itsudatte anata ga suki
Sekai-jû no dare yori mo
Ichiban ai shite iruuuuuuuu
Jûnigatsu nijûyokka
Anata wa
Nani wo shite iru
Watashi wa
Machi no dokoka de
Zutto anata wo matteruuuuuu
(we are listening
To a xmas song)
Den'wa mo konakunatte
Ishûkan kurai da kedo
Yakusoku
Wasuretenai desh?
Jûnigatsu nijûyokka
Anata wa
Doko ni iru
Watashi wa
Machi no dokoka de
Zutto anata wo matteru
--------------------------------
(you'd better watch out
You'd better not cry
Come on everybody
It's time to celebrate)
It's xmas eve
What are
You doing
I am
Somewhere in tokyo
Waiting for youuuuuuu
Tokyo is always
It's always a lively place
But it's xmas eve
And I feel lonely all by myself
You haven't called me
For about a week
I hope you haven't forgotten
We're supposed to meet
It's xmas eve
And what
Are you
Doing
I am somewhere in tokyo
Waiting for youuuuuu
I will always
Always
I will always like you
More than anybody in the world
I love youuuuuuuuuuuuu
It's xmas eve
And what
Are you
Doing
I am somewhere in tokyo
Waiting for youuuuuu
(we are listening to a
Xmas song!)
You haven't called me
For about a week
I hope you haven't forgotten
We're supposed to meet
I will always
Always
I will always like you
More than anybody
In the world
I love youuuuuuuuuuuuu
24 Decembre by Pizzicato Five
Released in 1988, "24 Decembre" stands as a defining track in the electronic pop canon, crafted by the Japanese duo Pizzicato Five. The song exemplifies their signature style, blending upbeat dance rhythms with melancholic, synth-driven melodies that became a hallmark of the late 80s electronic scene. Often associated with the group's broader discography from that era, the recording captures the unique fusion of pop sensibilities and experimental sound design that characterized their work. It remains a staple in collections of electronic music history, reflecting the group's ability to create infectious yet emotionally resonant tracks that transcended regional boundaries to influence global dance music. The composition serves as a testament to the era's innovative approach to synthesizer-based pop, cementing Pizzicato Five's legacy in the genre.