Bat Out Of Hell
Meat Loaf · Heaven & Hell with Bonnie Tyler
way down in the valley tonight.
There's a man in the shadows with a gun in his eye,
and a blade shining oh so bright.
There's evil in the air and there's thunder in sky,
and A killer's on the bloodshot streets.
Oh and down in the tunnel where the deadly are rising,
Oh I swear I saw a young boy down in the gutter,
He was starting to foam in the heat.
Oh baby you're the only thing in this whole world,
that's pure and good and right.
And wherever you are and wherever you go,
there's always gonna be some light.
But I gotta get out,
I gotta break it out now,
Before the final crack of dawn.
So we gotta make the most of our one night together.
When it's over you know,
We'll both be so alone.
Like a bat out of hell
I'll be gone when the morning comes.
When the night is over
Like a bat out of hell
I'll be gone gone gone.
Like a bat out of hell
I'll be gone when the morning comes.
But when the day is done and the sun goes down,
and the moonlights shining through,
Then like a sinner before the gates of heaven,
I'll come crawling on back to you.
I'm gonna hit the highway like a battering ram,
on a silver black phantom bike.
When the metal is hot and the engine is hungry,
and we're all about to see the light.
Nothing ever grows in this rotting old hole.
Everything is stunted and lost.
And nothing really rocks
And nothing really rolls
And nothing's ever worth the cost.
And I know that I'm damned if I never get out,
And maybe I'm damned if I do,
But with every other beat I've got left in my heart,
You know I'd rather be damned with you.
If I gotta be damned you know I wanna be damned,
dancing through the night with you.
If I gotta be damned you know I wanna be damned.
Gotta be damned you know I wanna be damned.
If I gotta be damned you know I wanna be damned,
Dancing through the night
Dancing through the night
Dancing through the night with you.
Oh baby you're the only thing in this whole world,
that's pure and good and right.
And wherever you are and wherever you go,
there's always gonna be some light.
But I gotta get out,
I gotta break it out now,
Before the final crack of dawn.
So we gotta make the most of our one night together.
When it's over you know,
We'll both be so alone.
Like a bat out of hell
I'll be gone when the morning comes.
When the night is over
Like a bat out of hell
I'll be gone gone gone.
Like a bat out of hell
I'll be gone when the morning comes.
But when the day is done and the sun goes down,
and the moonlights shining through,
Then like a sinner before the gates of heaven,
I'll come crawling on back to you.
(Musical Part)
Oh I can see myself tearing up the road,
Faster than any other boy has ever gone.
And my skin is raw but my soul is ripe.
No-one's gonna stop me now,
I gonna make my escape.
But I can't stop thinking of you,
and I never see the sudden curve until it's way too late......
And I never see the sudden curve 'till it's way too late.
Then I'm dying at the bottom of a pit in the blazing sun.
Torn and twisted at the foot of a burning bike.
And I think somebody somewhere must be tolling a bell.
And the last thing I see is my heart,
Still beating,
Breaking out of my body,
And flying away,
Like a bat out of hell.
Then I'm dying at the bottom of a pit in the blazing sun.
Torn and twisted at the foot of a burning bike.
And I think somebody somewhere must be tolling a bell.
And the last thing I see is my heart.
Still beating, still beating,
Breaking out of my body and flying away,
Like a bat out of hell.
Oh like a bat out of hell!
Oh like a bat out of hell!
Oh like a bat out of hell!
Like a bat out of hell.
Like a bat out of hell...............
(background(oooohhhh oooohhhh))
Bat Out Of Hell
Meat Loaf's 1977 hit 'Bat Out Of Hell' stands as a defining anthem of rock opera and theatrical rock, blending dramatic vocals with a soaring melody that captivated audiences worldwide. Recorded for the seminal album 'Bat Out Of Hell,' the track exemplifies Loaf's signature style, characterized by operatic flourishes and a narrative-driven approach to songwriting. Its enduring popularity stems from its ability to transcend specific musical genres, resonating across generations as a symbol of rock's theatrical potential. The song's legacy is further cemented by its inclusion in countless compilations and its status as a staple of live performances, where Loaf's dynamic delivery continues to energize crowds. As a cornerstone of his discography, it remains a powerful example of late 1970s rock production and artistic ambition.

