Playa Shit
Lloyd Banks · Other Songs - Lloyd Banks
don't love a hoe
don't love a hoe
don't love a hoe
Lloyd Banks Chorus repeat 2x
Im on That Playah Shit bag em call em fuck em leave em
you on that hatah shit sucka dick i dont need em
These bitches make me sick see me act like i dont see em
Go home and baby sit bitch it aint my job to feed em
Verse 1 Lloyd Banks:
Im in my zone bitch
Leave me alone bitch
all I swing this dick dont call me when you need a loan bitch
bitch you crazy?
You should hear all the bullshit they try to shoot me
Just cuz im in the hotel lobby dont mean i'am a groupie
Look shorty I could care less and you could always go home
Theres other females in the hallways to bone
Be the same one thats always alone
While her friends gettn dunn n dirty
Down in room 130
Nut on her son's jersey
Im Dunn miss
and the flick of one wrist
Then they go back home to they boyfriends and tongue kiss
I nevah had a wifey
But that dont mean im lookin
I woulda been left my OG but I needa cookin
Cause I been stuck on the road
Every day KFC
As soon as im done she on her knees ASAP
I prolly nevah change
Banks is a gigalo
Save the fussin fer justin you can "Cry a River" hoe
Lloyds Talkn:
you know you cant expect me to be a nice guy all the time
you no what grandma ma always used to tell me when i was younger
'baby the only thing open after 3 clock is legs and fast food"
Lloyd Banks Chorus repeat 2x
Im on That Playah Shit bag em calld em fuck em leave em
Im on that hatah shit sucka dick i dont need em
These bitches make me sick see me act like i dont see em
go home and baby sit bitch it aint my job to feed em
Playa Shit
Lloyd Banks is a defining voice of the G-Unit era, known for his intricate lyricism and distinctive flow within the East Coast hip-hop landscape. As a core member of the group alongside 50 Cent and Tony Yayo, Banks established a reputation for delivering hard-hitting verses that often explore themes of street life and personal struggle. His solo work frequently reflects the gritty realism found throughout his discography, showcasing a style that balances melodic hooks with dense, rhythmic delivery. While his contributions to the G-Unit catalog remain central to his legacy, his individual recordings demonstrate a consistent ability to craft compelling narratives about the realities of the music industry and urban existence. This track exemplifies the energetic production and sharp wordplay that characterize his broader body of work during this influential period.