2 Train

Mario · Mario [2002]

There's a baby girl (That I know)

and she's so fine

I meet her every day (After school)

Walk her to the train to spend some time



Cause' what her papa don't know

Wont hurt me

Mama thinks that

I'm a cutie

She cant wait til her sweet 16

But we just tryin to do our thing



So I meet her at the 2 train everyday

Ridin all the way to 110th

I get to hold her hand

Whisper in her ear

The only time I get the time

Is on the 2 train (is on the 2 train, is on the 2 train)

Is on the 2 train



We always meet at the (back car)

So no one else can interrupt

So much to talk about (so little time)

I wish we didn't have to rush

Cause by 40 seconds to have a listen

70 seconds..reminiscin

96th street prolly start kissin'

And I'm about to do my thang



So I meet her at the 2 train everyday

Ridin all the way to 110th

I get to hold her hand

Whisper in her ear

The only time I get the time

Is on the 2 train (is on the 2 train, is on the 2 train)

Is on the 2 train



I can't wait

Til we wont have to worry bout no one

Has to say

Cause we'll be free wont have to sneak around no more

But we're here now

And the future's not so far away

Ao until that day I'll say



Meet me at the 2 train everyday

Ridin all the way to 110th

I get to hold her hand

Whisper in her ear

The only time I get the time

Is on the 2 train (is on the 2 train, is on the 2 train)

Is on the 2 train



So I meet her at the 2 train everyday

Ridin all the way to 110th

I get to hold her hand

Whisper in her ear

The only time I get the time

Is on the 2 train (is on the 2 train, is on the 2 train)

Is on the 2 train

2 Train

Mario's "2 Train" stands as a defining track from his 2002 debut album, capturing the raw energy and melodic sensibilities that established him as a leading figure in English electronic dance music. Released during a pivotal era for the genre, the recording blends driving beats with emotive vocals, showcasing Mario's signature ability to craft anthemic tracks that resonate with both club audiences and radio listeners. The song exemplifies the polished yet accessible production style that characterized his early discography, contributing significantly to his status as a prominent artist in the UK dance scene of the early 2000s. Its enduring appeal lies in its infectious rhythm and the way it encapsulates the optimism and movement associated with the dance music culture of that time.