Call The Cops

Mario · Turning Point [2004]

I got her right outside of the club

Coversation go the best of me

She said she's gonna shut it down

Shut it down shut down..yea

Look I aint no easy win

But you put your money where you mouth has been

Or else you need to back up, back up, back up

Shorty back up, back up



then her body start moving

Look like i'm loosing

Cause I got a little horny

Lil mama put it on me

Early in the club



Chrous (2x)

Girl what you got (4x)

It should be against the law

Somebody call the cops

Cause shorty's a problem



Take you right on back to the crib

Shoulda saw what this lady did

Cause they know you started goin down (goin down)

Goin down (goin down) goin down (goin down)..if you can't

Get in touch with your girl

That means she's caught all up in my world

Cause she like the way I put it down (put it down)

Put it down (put it down) put it down (put it down)



Then her body started moving

Looks like I'm losing

Cause I got a little horny

Lil mama put it on me

Early in the club



Chorus (2x)



A party in a bottle

So we started actin naughty

So we took it to the back

and started freakin at the party

Then I threw her legs up

Grip her waist up

Lookin in her face

She's a problem solver

(Repeat)



By the time she finished dancin on me

I had her do it anything

Then I want cause ima P.I.M.P.

I'll be that brotha in your fantasy

(Repeat 3x)



Chorus (3x)



Somebody call the cops!

Call The Cops

Mario's "Call The Cops" serves as a standout track from his 2004 album Turning Point, embodying the energetic pop-rock sound that defined his career during the mid-2000s. The song features driving rhythms and a melodic structure characteristic of the era's mainstream pop productions, reflecting Mario's ability to blend catchy hooks with a polished recording style. Released alongside other singles from the Turning Point catalogue, the track showcases his vocal delivery and songwriting approach, contributing to the album's broader appeal within the pop genre. It remains a notable example of his work from that period, capturing the upbeat aesthetic of early 2000s music.