Departure Bay
Diana Krall · The Girl In The Other Room [2004]
Arbutus trees and Firs
The glistening of rain-soaked moss
Going to the Dairy Queen at dusk
Down narrow roads
In autumn light
The salt air and the sawmills
And the bars are full of songs and tears
To the passing of the tugboats
And people with their big ideas
I just get home
And then I leave again
It's long ago and far away
Now we're skimming stones
And exchanging rings
There's scattering and sailing from departure bay
The house was bare of Christmas lights
It came down hard that year
Outside in our overcoats
Drinking down to the bitter end
Trying to make things right
Like my mother did
Last year we were laughing
We sang in church so beautifully
Now her perfume's on the bathroom counter
And I'm sitting in the back pew crying
I just get home
And then I leave again
It's long ago and far away
Now we're skimming stones
And exchanging rings
There's scattering and sailing from departure bay
A song plays on the gramophone
And thoughts turn back to life
We took the long way to get back
Like driving over the Malahat
Now a seaplane drones
And time has flown
I won't miss all the glamour
While my heart is beating and the lilacs bloom
But who knew when I started
That I'd find a love and bring him home
Just get me there
And one we will stay
A long time off and far away
Now we're skimming stones
And exchanging rings
We're scattering and diving in departure bay
Departure Bay
Departure Bay stands as a standout original composition within Diana Krall's celebrated discography, appearing on her 2004 album The Girl In The Other Room. While Krall is widely renowned for her sophisticated interpretations of jazz standards and classic American songbook material, this track highlights her capabilities as a songwriter. The recording captures her signature intimate vocal style, blending smooth jazz sensibilities with a contemplative atmosphere that defines much of her work from this era. As part of an album that marked a shift toward more personal songwriting alongside traditional covers, the song reflects Krall's ability to craft evocative narratives without relying on established hits. It remains a cherished element of her body of work, showcasing the depth and emotional resonance that have secured her status as a leading figure in contemporary jazz.

