24365
Sammy Hagar · Other Songs - Sammy Hagar
You know express myself
Tell it like it is, hit me now
24365, gonna party now
24365, kick it up
24365, to the middle now
Flip flop, tank top, 'round the clock, non-stop, hey
Well, there's a party on the freeway
A body on the run
Got a king in the closet, uh
Hey, a fat man in a hot tub
Well, got a needle on a red line
A bumper on a tail, hey, hey
We got James Brown on the box
Blues on the rocks
A monkey on a leash, a half-drunk priest
And a parrot that talks, hey
24365, gonna party now
24365, kick it up
24365, to the middle now
Flip flop, tank top, 'round the clock, non-stop
Hey, hey, hey, hey
Bootsie got a diaper on
With a super fine freak, wooh
Got sushi in a fishbowl, hey
Singing hide and go peek
Well, everybody's in the bathroom
Burning down the house, hey, hey
Well, sun comes up
Homey passed out on the floor
Pickin' up the pieces
Roll 'em all up for the party next door, hey
24365, gonna party now
24365, kick it up
24365, to the middle now
Flip flop, tank top, 'round the clock, non-stop, baby
Yeah, yeah, yeah
Get it, get it, get it, get it
Yeah, yeah, yeah, yeah, wooh
Yeah, yeah, yeah, yeah, uh, ha
Uh, oh, good God Almighty
Oh, my goodness, everybody ready?
Well, we got a party on the freeway, uh
A bumper on a tail, hey
A fat man in a hot tub
Sushi in a fish bowl
Well, everybody's in the bathroom
Burnin' down the house, hey, hey
We got James Brown on the box
We got booze on the rocks
A monkey on a leash, a half-drunk priest
And a parrot that talks, hey
24365, gonna party now
24365, kick it up
24365, to the middle now
Flip flop, tank top, 'round the clock, non-stop baby, hey
Oh, oh
Biddly, bop, bop, biddly, bop, bop, ba
24365
Sammy Hagar's "24365" stands as a defining track from his solo career, showcasing his signature blend of hard rock and country-infused pop that characterized much of his work in the 1980s and 1990s. The song features Hagar's powerful, soaring vocals and melodic guitar work, hallmarks of his style that bridged the gap between traditional rock and the emerging alternative movement. Released during a period where Hagar was establishing himself as a major solo force beyond his time with Montrose, the recording captures the energetic spirit of his discography. It reflects the era's rock aesthetic while maintaining the emotional depth and lyrical directness that made his music resonate with audiences worldwide. The track remains a testament to his ability to craft anthemic songs that balance commercial appeal with genuine musical integrity.