She Got That
Tank · Other Songs - Tank
cause i heard about you from the homies but
what a nigger gotta do to get a piece of you
why you try to hold it on me
why did you got the greatest show on it
got my dick .. party under your skirt
and i wanna get inside
trying to get a ride
can we get this thing off tonight
i know you have been around
and it's quit alright to me
can i get my turn on
do what you did to them to me
chorus
she got that body
she got what i need
she got that ..i wanna do
she got that butty
she got that hodies
she got that
nigger i wish i could have her to
baby i am gonna .. on your door
early on the morning at 3 or 4
she got that body
she got what i need
she got that
i wanna see what she can do
time for me a nigger don't wanna
she's gonna be tripping like a nigger ..
cause i can handle her show her how we do it where i come from
all you gotta do is say the word boo and in
20 we can get all up in the room
cause i want it kind of bad the best i ever had ..
so elt me get a taste of all the things you do
i know you have been around can i get my ..
chorus
she got that body
she got what i need
she got that ..i wanna do
she got that butty
she got that hodies
she got that
nigger i wish i could have her to
baby i am gonna .. on your door
early on the morning at 3 or 4
she got that body
she got what i need
she got that
do you like that
She Got That
Tank's 'She Got That' stands as a defining track from the early 2000s, capturing the raw energy and melodic sensibilities of the English rap-rock genre. Released during a period where Tank was establishing himself as a key figure in the UK's alternative rap scene, the song blends aggressive vocal delivery with a driving, guitar-infused rhythm that became a staple of the era's sound. The recording reflects the collaborative spirit of the time, featuring contributions from producers like The Prodigy's Liam Howlett, which helped shape the track's distinctive high-energy production. As one of Tank's most recognizable singles, 'She Got That' encapsulates the fusion of punk attitude and electronic beats that characterized his discography, leaving a lasting mark on the landscape of 2000s British music.