Mission Temple Fireworks Stand
Sawyer Brown · Mission Temple Fireworks Stand [Curb] [2005]
He was holding a tent revival and running a firework stand.
He said the end of the world is coming so you better get on your knees.
Today bottle rockets are two for one but salvation's free.
He said, ''I quit my job at a big church where the milk and honey flowed,
To sell cherry bombs for Jesus in a tent beside the road.''
''I ain't in it for the money, most cars they pass on by,''
''But I pay the rent on New Years and the fourth of July.''
''Here at the,
Holy Ghost, (Holy Ghost)
Big bang theory, (Big bang theory)
Pentecostal, (Pentecostal)
Fire and brimstone, (Fire and brimstone)
Mission Temple Firework Stand.
He said fireworks are dangerous. They can blow up in your face.
You better read the instructions, light the fuse and get away.
These things are made in China, so it's easy to see,
Why a man who worships Buddha ain't got no guarantee.
This is the,
Holy Ghost, (Holy Ghost)
Big bang theory, (Big bang theory)
Pentecostal, (Pentecostal)
Fire and brimstone, (Fire and brimstone)
Mission Temple Firework Stand.
Everything I'm selling is all going up in smoke.
It's like taking twenty dollars yall and watching it explode.
When the trumpet sounds and the lord comes back,
I promise you one thing. I'll be a human bottle rocket
and I'll go out with a bang.
I'll leave this:
Holy Ghost, (Holy Ghost)
Big bang theory, (Big bang theory)
Pentecostal, (Pentecostal)
Fire and brimstone, (Fire and brimstone)
Mission Temple Firework Stand.
Holy Ghost, (Holy Ghost)
Big bang theory, (Big bang theory)
Pentecostal, (Pentecostal)
Fire and brimstone, (Fire and brimstone)
Mission Temple Firework Stand.
Holy Ghost, (Holy Ghost)
Big bang theory, (Big bang theory)
Pentecostal, (Pentecostal)
Fire and brimstone, (Fire and brimstone)
Mission Temple Firework Stand...
Mission Temple Fireworks Stand
Sawyer Brown's 'Mission Temple Fireworks Stand' stands as a defining track from their 2005 Curb release, showcasing the group's signature blend of Southern rock and gospel-infused storytelling. The song exemplifies their ability to weave complex narratives with driving rhythms and harmonies that have become hallmarks of their discography. Released during a period where Sawyer Brown solidified their reputation for blending traditional country structures with modern production, the recording features the band's characteristic vocal interplay and instrumental prowess. It remains a staple of their live performances and a testament to their continued relevance in the contemporary country music landscape, reflecting the era's evolving sound while honoring their roots.