Slow Motion (Video Edit)

Juvenile · Other Songs - Juvenile

Chorus: Soulja Slim]

Slow motion for me, slow motion for me, move it slow motion for me

Slow motion for me, slow motion for me, move it slow motion for me

Uh I like it like that she working that back I don't know how to act

Slow motion for me, slow motion for me, slow motion for me

Move it slow motion for me

Uh I like it like that she working that back I don't know how to act

Slow motion for me, slow motion for me, slow motion for me

Move it slow motion for me



[Verse 1: Soulja Slim]

I'm a thrower

Her neck and her back hurting

Cut throat I'll have you like a brand new version

I'ts like when she get used to it then you start serving

Hop up on top and start jicky-jicky-jicky jerking

Slow down for me you moving to fast

My fingers keep slipping I'm trying to grip that--

Keep being hard headed and I'm a make you get on it

Got human up the skys but my face is a doggy

If you loving my bark let me bury my bone

I got 4 or 5 bad merry-- at home

One of my-- fell in love with that outside

that outside-- keep them sick



[Chorus]



[Verse 2: Juvenile]

I'ts like I got the world in my palms

Your girl up under my arms

She-- up from the charm

She love the way the-- stay hard from 12 till early in the morn

Fine-- if you listening you heard me I'm strong

If you going threw your cycle I ain't with It I'm gone

You must have heard about them-- that I beat up in my home

They wasn't telling the truth baby you know they was wrong

Na make it official with some of that dome

I don't mind buying to, your riding to

Don't be asking-- questions about where I'm driving you

Lil mama my-- together I ain't jiving you

I don't think that-- could do you better then I could do ya know

And juvenile from courtless street by derby

Same-- that used to be running with rusty and kirby

Can a playa from the n.o.ya get a chance with it

But I can't bounce with you without using my hands with it



[Chorus: Soulja Slim]

Uh I like it like that she working that back I don't know how to act

Slow motion for me, slow motion for me, slow motion for me

move it slow motion for me

Uh I like it like that she working that back I don't know how to act

Slow motion for me, slow motion for me, slow motion for me

move it slow motion for me



[Verse 3: Soulja Slim]

Slow motion, she open, I'm hoping that she don't leave my-- broken

With rust burns and swollen

I'm toting she wanted me to make a outer believer

I guarantee ya I'm a see ya when I see ya

And don't holla out my name like we was all that

Your-- throwback and you know that

So stop stunting slow motion for a real--

I'm going off that incredible potion and I'm a deal with ya



[Juvenile]

I like how that victoria secret sit in that--

Let me pour some more hyp and hennsey in your glass

Would I be violating if I grab me a handfull

I'm knowing what's happening all I want is a sample

Who you wit I'm in the rental today

It's going down and happening and I remember the way

Less money we spend on-- the more for the--

What's it gonna take for you to come slow motion with me



[Chorus 3X: Soulja Slim]

Uh I like it like that she working that back I don't know how to act

Slow motion for me, slow motion for me, slow motion for me

move it slow motion for me

Uh I like it like that she working that back I don't know how to act

Slow motion for me, slow motion for me, slow motion for me

move it slow motion for me

Slow Motion (Video Edit)

Released in 1998, "Slow Motion (Video Edit)" is a defining track from Juvenile's debut album, 400 Degreez. The song exemplifies the Southern hip-hop sound of the late 90s, blending aggressive rap delivery with a heavy, bass-driven beat that became a staple of the genre. As a video edit, the recording was designed for visual consumption, featuring stylized performances that reinforced the album's themes of street life and ambition. The track contributed significantly to Juvenile's early commercial success and remains a reference point for the crunk and hip-hop subgenres that followed. Its enduring popularity highlights the artist's ability to craft memorable hooks and rhythmic structures that resonated with audiences across the United States.