Why Don't You Get A Job? (Baka Boyz Remix)
The Offspring · Other Songs - The Offspring
He tells me every day.
(Boy, get a job!) [scratching]
He says: "Man, I really gotta lose my chick
In the worst kind of a way."
(Boy, get a job!) [scratching]
She sits on her ass he works his hands to the bone
To give her money every payday.
But she wants more dinero just to stay at home.
Well, my friend, you gotta say:
My friend's got a girlfriend and he hates that bitch,
(Boy, get a job!) [scratching]
My friend's got a boyfriend and she hates that dick,
(Boy, get a job!) [scratching]
I guess all this money... well, it isn't enough,
To keep the bill colectors at bay.
I guess all this money... well, it isn't enough,
'Cause that girl's got expensive taste.
My friend's got a boyfriend and she hates that dick,
(Boy, get a job!) [scratching]
My friend's got a girlfriend and he hates that bitch,
(Boy, get a job!) [scratching]
Well, I guess it ain't easy doing nothing at all, oh yeah.
But, hey man, free ride's just to come on along, every day.
[Scratching]
My friend's got a boyfriend and she hates that dick,
She tells me every day, bitch!
He watchs dinero just to stay at home.
Well, my friend, you gotta say:
Dick - bitch
Dick - bitch, bitch
Dick - bitch
Bitch, bitch, bitch
Dick - bitch
Dick - bitch, bitch
Dick - bitch
Dick - bitch [Scratching]
Why Don't You Get A Job? (Baka Boyz Remix)
The Offspring's 'Why Don't You Get A Job?' remains a cornerstone of their punk rock legacy, originally released on the 1994 album 'Self Esteem.' The track exemplifies the band's signature blend of aggressive guitar riffs, driving drums, and frontman Dexter Holland's sharp, satirical vocal delivery. Known for its biting social commentary, the song critiques societal expectations and workplace culture with characteristic punk energy. Over the years, the track has been featured in numerous compilations and has been remixed by various artists, including the Baka Boyz, to adapt its high-energy sound for different contexts while preserving its original impact. It stands as a definitive example of the nu-metal and alternative rock fusion that emerged in the mid-1990s.