Bridging the gap
Nas · Other Songs - Nas
"The light is there."
[Intro: Olu Dara singing]
See I come from Mississippi
I was young and runnin' wild
Ended up in New York City, where I had my first child
I named the boy Nasir, all the boys call him Nas
I told him as a youngster, he'll be the greatest man alive
[Verse 1: Nas]
Let's go!... Hey-Hey-Hey-Hey --
Tribrary of these rap skits, styles I mastered
Many brothers snatched it up and tried to match it
But I'm still number one, everyday real
Speak what I want, I don't care what y'all feel
'Cause I'm my own master, my Pop told me be your own boss
Keep integrity at every cost, and his home was Natchez Mississippi
Did it like Miles and Dizzy, now we gettin' busy
Bridging The Gap from the blues, to jazz, to rap
The history of music on this track
Born in the game, discovered my father's music
Like Prince searchin' through boxes of Purple Rain
But my Minneapolis was The Bridge, home of the Superkids
Some are well-known, some doin' bids
I mighta ended up on the wrong side of the tracks
If Pops wouldn't've pulled me back an said yo
[Olu Dara singing]
Greatest man alive (Nas: Yeah, turn it up!)
Gre-Gre-Gre-Gre-Greatest man alive!
[Verse 2: Nas]
The blues came from gospel, gospel from blues
Slaves are harmonizin' them ah's and ooh's
Old school, new school, know school rules
All these years I been voicin' my blues
I'm a artist from the start, Hip-Hop guided my heart
Graffiti on the wall, coulda ended in Spoffard, juvenile delinquent
But Pops gave me the right type'a tools to think with
Books to read, like X and stuff
'Cause the schools said the kids had dyslexia
In art class I was a compulsive sketcher of
Teachers in my homeroom, I drew pix to mess them up
'Cause none'a them would like my style
Read more books than the curriculum profile
Said, "Mr. Jones please come get your child
'Cause he's writin' mad poems and his verses are wild"
[Olu Dara singing]
Greatest man – The great-greatest man alive
[Verse 3: Nas]
Hey-Hey-Hey -- My Poppa was not a Rollin' Stone
He been around the world blowin' his horn, still he came home
Then he got grown, changed his name to Olu
Come on, tell 'em 'bout the places you gone to
[Olu Dara singing]
I been to Saudi Arabia, Mozambique
Madagascar, Paris, Greece
The Middle Africa is where we lived
Better known as Queenbridge
[Nas]
Nas, Nas you don't stop
Olu Dara in the house, you don't stop
Muddy Waters' Howling Wolf you don't stop
From the Blues to Street Hop you don't stop
Tell 'em Pop
[Outro: Olu Dara singing / Nas adlibbing]
See I come from Mississippi (Let 'em know)
I was young and runnin' wild (Runnin' wild)
Ended up in New York City (Yeah!)
Where I had my first child (That's me)
I named the boy Nasir (Yeah, Daddy!)
All the boys call him Nas (Luh ya, boy)
I told him as a youngster
He'll be the greatest man alive (You the greatest, Pop)
Greatest man alive (You the greatest, Pop)Gre-Gre-Gre-Gre-Greatest man alive!
Rest In Peace Ray Charles
Bridging the gap
Nas's 'Bridging the gap' stands as a significant track within the East Coast hip-hop canon, reflecting the artist's evolution from the gritty streets of Queens to a more introspective and socially conscious phase. Released during a period where Nas began to blend his signature lyrical density with themes of community and systemic inequality, the song exemplifies his ability to weave complex narratives into his music. While often associated with the broader 'It Was Written' era, the track showcases his commitment to addressing the divide between marginalized communities and the mainstream, utilizing his distinctive flow and wordplay to explore these tensions. The recording captures the raw energy and intellectual depth that defined Nas's work in the 1990s, cementing his status as a pivotal figure in the genre who consistently challenged listeners to look beyond surface-level entertainment.