I'm Leavin'
Lisa Stansfield · Lisa Stansfield [1997]
Kick off my shoes and wait on you
Well it's way past dawn and your still gone
Where in the world is my boo?
See I was fallin' asleep and you were creeping in
I never would have noticed until when
Until I smelt perfume, the kind I do not wear
My baby's been messin' around again
You shouldn't have done me babe
Now watch what I do to you
Baby I'm leavin' I'm leavin' I'm leavin'
Leavin' you
You shouldn't have done me babe
Now watch what I do to you
Baby I'm leavin' I'm leavin' I'm leavin'
Leavin' you
How could I be so dumb? I thought I loved a man
But more and more you proved to be a boy
and now I understand
But I can't baby sit no more, it·s not what I loved you for
I'd rather be alone bye-bye cos' I'm really leavin' this time
You shouldn't have done me babe
Now watch what I do to you
Baby I'm leavin' I'm leavin' I'm leavin'
Leavin' you
You shouldn't have done me babe
Now watch what I do to you
Baby I'm leavin' I'm leavin' I'm leavin'
Leavin' you
Look at you now begging down on your knees
Thinking I'm coming back, Oh child please
I said I was leavin' I mean whet I say
There's no turning around I'm Ieavin' today
You shouldn't have done me babe
Now watch what I do to you
Baby I'm leavin' I'm leavin' I'm leavin'
Leavin' you
You shouldn't have done me babe
Now watch what I do to you
Baby I'm leavin' I'm leavin' I'm leavin'
Leavin' you
No I can't baby sit no more, it's not what I loved you for
I'd rather be alone bye-bye cos' I'm really leavin' this time
You shouldn't have done me babe
Now watch what I do to you
Baby I'm leavin' I'm leavin' I'm leavin'
Leavin' you
You shouldn't have done me babe
Now watch what I do to you
Baby I'm leavin' I'm leavin' I'm leavin'
Leavin' you
About I'm Leavin'
Lisa Stansfield's "I'm Leavin'" serves as a poignant centerpiece on her 1997 self-titled album, marking a significant evolution in her sound following the massive commercial success of her debut. While her early work defined the power ballad genre with raw vocal intensity, this track reflects a more mature, introspective approach that balances emotional vulnerability with a polished production style characteristic of late 90s R&B and pop. The song explores themes of departure and emotional exhaustion, resonating with listeners seeking authenticity in a genre often dominated by theatrical performances. As part of her discography, it stands alongside other notable recordings like "Just To Keep You Satisfied" and "I Cried My Last Tear, Last Night," showcasing her ability to craft songs that are both commercially viable and deeply personal. The recording captures a specific moment in her career where she transitioned from a chart-topping sensation to an artist exploring deeper musical textures and lyrical complexity.