Give Me Some Time

Dan Fogelberg · Nether Lands [1977]

Slow down girl, what's the hurry?

Love can wait if you're worried

Then I'll try to ease your mind

You say we're losing time

But I've got to find

A way to convince you



I've got 'cause to be wary

For so long I've had to carry

The weight of another soul

You say, "I won't let go"

But how do you know I can?



Give me some time now

I've just got to find how

I'm going to forget her

And talk myself into believing

That she and I are through

Then maybe I'll fall for you



You're just, just what I've needed

But I'd be unfair and conceited

To say you're the only one

Woman, I'm on the run

From something I have begun

And can't seem to finish



Although it hasn't been recent

I still think it wouldn't be decent

To let you believe in me so soon

I've got to make you see

What she meant to me, so please



Give me some time now

I've just got to find how

I'm going to forget her

And talk myself into believing

That she and I are through

Then maybe I'll fall for you



Give me some time now

I've just got to find how

I'm going to forget her

And talk myself into believing

That she and I are through

Then maybe I'll fall for you



Maybe I'll fall for you

Maybe I'll fall for you

Then maybe I'll fall for you

Maybe I'll fall for you

Maybe I'll fall for you



Maybe I'll fall for you

Maybe I'll fall for you

For you, for you

For you, for you, for you

Give Me Some Time

Dan Fogelberg's 'Give Me Some Time' stands as a defining track from his 1977 album 'Nether Lands,' showcasing his signature blend of acoustic storytelling and melodic pop. Released during a pivotal era for his career, the song exemplifies the warm, emotive style that would characterize his broader discography. With its gentle instrumentation and reflective lyrics, the recording captures the essence of Fogelberg's ability to craft intimate narratives about love and patience. It remains a staple of his catalog, often cited alongside other works like 'Same Old Lang Syne' and 'Run For The Roses' as a prime example of his contribution to soft rock and folk-pop. The track's enduring appeal lies in its accessible melody and the heartfelt delivery that became a hallmark of his public musical identity.