Lonely In Love
Dan Fogelberg · Portrait: Music Of Dan Fogelberg From 1972-1997 [1997]
But I can't help but believe there's got to be more
A man needs a woman to have and to hold
To love him in body as well as in soul
I need your desire, where did the fire go
I keep trying to sleep, but sleep won't be mine tonight
There's so much sorrow inside, and baby I don't know why
I give you your freedom, I give you my love
I give all I have everytime that we touch
I don't know baby, maybe I give too much
Now I'm lonely in love, why must I be lonely in love
I'm so lonely in love
Baby why must I be lonely, why must I be lonely in love
I know that love carries no, she carries no guarantees
But still I can't seem to find a reason that I can believe in
You said to be patient and give you some room
You said you had changes you need to work through
But the longer I wait the farther I feel from you
Now I'm lonely in love, why must I be lonely in love
I'm so lonely in love
Baby why must I be lonely, why must I be lonely in love
I'm so lonely in love, why must I be lonely in love
(With you darling)
I'm so lonely in love
Baby, you're my one and only
Why do you keep me lonely in love
Lonely In Love
Dan Fogelberg's 'Lonely In Love' stands as a quintessential example of his signature acoustic pop style, blending heartfelt storytelling with a melodic sensibility that defined the early 1990s country-pop crossover. Featured on the retrospective compilation 'Portrait: Music Of Dan Fogelberg From 1972-1997', the track captures the emotional vulnerability characteristic of Fogelberg's discography, utilizing simple instrumentation to underscore themes of romantic isolation. The song reflects the broader tradition of narrative-driven country music, where personal anecdotes are woven into universal sentiments about heartbreak and longing. Its enduring appeal lies in Fogelberg's ability to craft melodies that resonate deeply, making it a staple in collections of classic country ballads that prioritize emotional authenticity over complex production.

