I Can Feel It

Jerry Lee Lewis · Other Songs - Jerry Lee Lewis

I CAN FEEL IT

WRITERS KEN BELL, TERRY SKINNER



How do I know you love me How do I know you care How

do I know you're my girl When I'm not even there I

can feel it (feel it) Nobody has to tell me so I can

feel it (feel it) I feel it way down in my soul You

don't have to say you love me Or tell me I'm your man

You don't have to say a word girl To make me understand

I can feel it (feel it) Nobody has to tell me so I

can feel it (feel it) I feel it way down in my soul

Girl now you best let me be your man Something worth

loving for I know where it's coming from And I'm coming

back for more I can feel it

(feel it) Nobody has to tell me so I can feel it

(feel it) I feel it way down in my soul When you put

your arms around me And when you hold me tight I can

tell you're lost around me And it makes everything

alright I can feel it (feel it) Nobody has to tell

me so I can feel it (feel it) I feel it way down in

my soul I can feel it (feel it) Nobody has to tell

me so I can feel it (feel it) I feel it way down in

my soul Feel it Lord I feel it

(feel it) Down in my soul

(feel it) I said down in my soul That's where I feel it

About I Can Feel It

"I Can Feel It" stands as a pivotal track in the catalog of Jerry Lee Lewis, capturing the raw, driving energy that defined his early career. Released alongside iconic hits like "Hound Dog" and "Toot, Toot, Tootsie, Goodbye," the recording showcases Lewis's signature style: a frenetic piano accompaniment paired with a powerful, emotive vocal delivery. As a cornerstone of rock and roll history, the song exemplifies the genre's transition from country roots to a broader, more electric sound. Its enduring appeal lies in its ability to convey urgency and passion without relying on complex production, relying instead on the artist's innate talent and the infectious rhythm that propelled rock music forward. The track remains a testament to Lewis's influence on subsequent generations of musicians who sought to replicate his dynamic approach to performance and composition.