Face Down

Meek Mill · Other Songs - Meek Mill

[Intro: Sam Sneaker]

I got a rubber in my pocket, and I'm talking like this



[Hook: Sam Sneaker (x2)]

Face down, ass up

That's the way we like to f*ck

There's some hoes in this house tryna f*ck

There's some hoes in this house tryna f*ck



[Verse 1: Meek Mill]

I got all these hoes tryna f*ck

I got pussy on my mind and got Patron all in my cup

And I got shawty on my line tryna do the "you know what"

And I ain't gotta say no words, you know I swerve if you know her

Cause I don't play I'm like no way, and killing them hoes is 2 on 1

I take her home I touch that down, you take that home and you gon' punt

Cause y'all gon' kick it, and about my business

When it come to them hoes man I got them b*tches

Like I got my city cuz I run that sh*t

But I'm like face down and your ass up and your ass up and you're face down

She coming up tryna catch breath, I grab her weave like stay down

Just breathe ho, breathe ho

K.O.D I'm balling hard, we sneaking bree ho

Look I got a rubber off in my pocket, never slipping I got it

Bad b*tch she look tropic, if she f*ck me right then she shopping

Matter of fact I'm lying, I'm high as f*ck like I'm flying

Got perks off in my system, I tell the hoes when I get them, put yo



[Hook: Sam Sneaker (x2)]

Face down, ass up

That's the way we like to f*ck

There's some hoes in this house tryna f*ck

There's some hoes in this house tryna f*ck



[Verse 2: Trey Songz]

Her pussy good, my d*ck is gold

I'm in yo hood, I probably f*cked your ho

These b*tches nasty, I need my nuts licked

These b*tches know I got that deep up in yo gut dick

Face down, with yo back arched, fingers spread that ass apart

And I'm deep in it and she leak in it, bust a couple nuts, then sleep in it

Don't you try to run where that pussy going?

I eat cray on the week day, weekend her 3 friends

Gotta a n*gga going off the deep end cause I'm deep in when I dove in

And I'm so in when I go in, pussy feeling something like the ocean

She ain't even let a n*gga know when, you just gonna leave a n*gga soaking

I'm with that and I get that finna sit her, naw n*gga b*tch back, hold up

I'm nasty and I know that

Yo ass big so throw that, yea b*tch throw that, throw that

Hold up, hold up, my d*ck so swole up

Deep throat, throw up, bad b*tches know what? I want yo



[Hook: Sam Sneaker (x2)]

Face down, ass up

That's the way we like to f*ck

There's some hoes in this house tryna f*ck

There's some hoes in this house tryna f*ck



[Verse 3: Wale]

Couple bad independent women in my section

You be tricking dollars, I don't even pay attention

And I do be popping bottles (true) and I don't think it's a problem (true)

So just hold up, let me open up with this ganja

Ya face down, ass up, oh you think you all that

I say that we should see wassup and play let's see who call who back (aha)

And now you mad, saying that I treat you bad

Cause when I treat you how I treat you and leave you, you be needing baths

Now we had Magic and Onix tryna see what's happening

Trust me I throw this back, she bust it like that Peter Pan

See the plan come alone or go back home

And if they act like they don't know, play this muthaf*ckin' song



[Hook: Sam Sneaker (x2)]

Face down, ass up

That's the way we like to f*ck

There's some hoes in this house tryna f*ck

There's some hoes in this house tryna f*ck

Face Down - Meek Mill

Meek Mill's "Face Down" stands as a quintessential example of his mid-career dominance within the Philadelphia rap scene. Released during a period where he solidified his status as a top-tier artist, the track exemplifies his signature blend of aggressive flow and introspective lyricism. The song captures the raw energy of his discography, focusing on themes of resilience and the pressures of fame that have defined his public persona. With its driving beat and Mill's characteristic vocal delivery, the recording serves as a powerful statement piece that resonates with fans who appreciate his ability to navigate complex emotional landscapes while maintaining a commanding presence in the genre.