Thunder Kiss '65

Rob Zombie · Past, Present & Future [2003]

Well, sweet a little sista's high in hell cheatin' on a halo

Grind in a Odyssey Holocaust heart kick on tomorrow

Breakdown agony I said ecstasy in overdrive

When you're riding on the world Thunder kiss in 1965



Yeah, wow, five yeah, wow

Demon-warp is coming alive

In 1965 five, five



Livin' fast and dying young like a endless poetry

My Motor- psycho nightmare, freak out inside of me

My soul salvation liberation on the drive

The power of the blaster move me faster 1965



Yeah wow, five yeah wow

Demon-warp is comin' alive

In 1965 five, five



Aww, yeah, yeah, gimme that, gimme that now, now, now



Yeah, rollin' like a supersonic another fool that gets down on it

Pig sweat a million miles, I got a heart atomic style

Make it look easy that's what I said

Blast of silence, explodes in my head



Yeah, yeah, yeah, gimme that, gimme that now

Gimme that, gimme that now

Gimme that, gimme that now

Gimme that, gimme that



Step to the moonshine, frenzy hail the resurrection

What's new pussycat? Can you dig the satisfaction?

Well, you can't take it with you but you can in overdrive

Yeah, some like it hot and twistin' 1965



Yeah, wow, five, yeah wow

Demon-warp is coming alive

In 1965, five, five

Thunder Kiss '65

Rob Zombie's 'Thunder Kiss '65' stands as a defining track from his 2003 album 'Past, Present & Future,' blending gothic horror aesthetics with a driving, punk-infused rock sound. The song serves as a sonic bridge between his earlier work on 'Hellbilly Deluxe' and the more polished production of 'House of 1000 Corpses,' establishing a signature style that merges heavy metal aggression with theatrical, cinematic atmosphere. As a central piece of his discography, the recording captures the essence of Zombie's unique ability to translate horror film themes into high-energy music, influencing the broader landscape of alternative metal and industrial rock. Its enduring popularity reflects its role not merely as a soundtrack element but as a standalone anthem that encapsulates the dark, rebellious spirit of his artistic vision.