Elijah
Rich Mullins · Triple Feature [2010]
My heart is aging I can tell
So Lord, I'm begging for one last favor from You
Here's my heart take it where You will
This life has shown me how we're mended and how we're torn
How it's okay to be lonely as long as you're free
Sometimes my ground was stoney
And sometimes covered up with thorns
And only You could make it what it had to be
And now that it's done
Well if they dressed me like a pauper
Or if they dined me like a prince
If they lay me with my fathers
Or if my ashes scatter on the wind
I don't care
But when I leave I want to go out like Elijah
With a whirlwind to fuel my chariot of fire
And when I look back on the stars
It'll be like a candlelight in Central Park
And it won't break my heart to say goodbye
There's people been friendly, but they'd never be your friends
Sometimes this has bent me to the ground
Now that this is all ending
I want to hear some music once again
'Cause it's the finest thing that I have ever found
But the Jordan is waiting
Though I ain't never seen the other side
Still they say you can't take in the things you have here
So on the road to salvation
I stick out my thumb and He gives me a ride
And His music is already falling on my ears
There's people been talking
They say they're worried about my soul
Well, I'm here to tell you I'll keep rocking
'Til I'm sure it's my time to roll
And when I do
When I leave I want to go out like Elijah
With a whirlwind to fuel my chariot of fire
And when I look back on the stars
It'll be like a candlelight in Central Park
And it won't break my heart to say goodbye
'Cause when I leave I want to go out like Elijah
With a whirlwind to fuel my chariot of fire
And when I look back on the stars
It'll be like a candlelight in Central Park
And it won't break my heart to say goodbye
Elijah
Rich Mullins' "Elijah" stands as a profound testament to his unique ability to weave biblical narrative with raw, personal spirituality. Recorded on the 2010 compilation Triple Feature, the track exemplifies the acoustic, unpolished aesthetic that defined his discography. Mullins often drew from the Old Testament, particularly the story of Elijah, to explore themes of divine abandonment and the necessity of faith amidst suffering. The song's gentle melody and direct vocal delivery create an intimate atmosphere, characteristic of his work which frequently challenged listeners to confront their own spiritual realities. As a central piece in his catalog, it reflects the era's indie-folk sensibility while maintaining a distinctively earnest and vulnerable tone that remains influential in contemporary Christian music.

